Inspiration

Golden Moment

Oil on linen

20 x 24

Available

It is difficult for me to understand artists who have "creativity" blocks.  They can't think of anything they want to paint.  I am sure this must happen to some people once in a while sort of like writer's block?  I am not one of those people.  As part of my ADD, I can get over-stimulated with visual images.  I can see paintings nearly every place I look.  I am constantly seeing compositions and thinking about how I would paint something.  I name colors in my head and how to mix them.  I am not a good traveling companion.  Instead of navigating, I am looking out the window and painting in my head.  Do other artists do this?  Surely some do! 

So how do you become inspired to actually go from looking at something or seeing something in your head to putting in down on canvas?  First, I think of painting as a visual language.  What is it you want to communicate to others?  You will not be standing next to that painting to explain it, what is it you want to say about the subject?  It is about the color scheme, the mood, the atmosphere, or the light?  Is it the tilt of someones head, the expression of a child, the texture of a cloth?  Then choose your tools:  the medium, the colors, the brushstrokes.  In my recent workshop "All About Color" one student said, "I have learned to Think More and Paint Less."  Hmmm, perhaps that is something we all need to do.  Like thinking before speaking.  Make your comments count.  Your inspiration is waiting!

This weekend, March 23 - 25, I will be painting en plein air at Walt Disneyworld's Flower and Garden Festival 2012.  It takes place in Epcot every spring and I am always so thrilled to take part.  I will be in "Italy".  This is my seventh year to be invited?  I'll be posting on my FB page: DurindaCheek and on my Fan Page:  Durinda'sFineArtFanPage so hope you can join me and see my inspirations for this week!

Ciao for now, ya'll!

Durinda

The Secret

I often get asked, "What is plein air?"  I know it sounds like some Secret Code that artists use.  True, it isn't something you hear everyday.  It means in the open air.  It's a term we artists use when we are referring to painting outdoors.  And, not sure why we westerners insist on using the French term.  We don't use other French terms that much.  I guess it relates back to the Americans who went to France to learn the Impressionism style of painting  in the late 1800's and early 1900's.  They had heard or even seen paintings by these French artists thanks to Mary Cassatt bringing them over.  This was something new as far as art styles.  Loose choppy brushstrokes, high key color palettes, and painted outdoors? 
The French Impressionists weren't the ones who invented painting outdoors.  Certainly artists had been carrying sketchbooks outside for centuries.  And the British would tell you they were watercoloring outdoors long before Monet painted his "Impression: Sunrise".  It just happened that oil paints could now be stored in tubes as opposed to being handground in the studio where it was stored in pots.  Adding to that, artists were now painting on linen canvas which could be stretched over supports making it lots lighter than painting on primed wood.  Monet even used a boat as a floating studio to paint the populars next to the river bank. 

Painting Aspens at Lake Tahoe

Plein air painting can be as rugged a sport as you want to make it.  Some artists hike miles in the woods and mountains with their supplies on their backs just to capture their scenes.  You can paint in public or not.  You can carry large canvases or very small.  There just isn't a right or wrong way.  So if you see an artist outside set up with their easel and paints, you can say, "Good luck with your plein air painting." And they will know that you know the Secret.

Sisterhood of the Traveling Paints

D & Barbara

Sandra, Susie, D, Ruth

D, Phyllis, Diane

This blog today is dedicated to the women painters I have met over the years. These are not your ordinary, paint in the studio and don't get dirty painters. They are the ones who paint on-site or outdoors in all kinds of weather and all kinds of conditions. We are Sisters of the Traveling Paints.
I have always drawn and painted. I can't remember not doing it. I carried pieces of paper outside as a child and drew what I saw: flowers, bugs, trees. I didn't know it was called "plein air". It was just something you did because you had to. You wanted to capture what attracted you on paper. Save it for looking at later. It was fun.

Today I count myself very lucky to have crossed paths with lots of women who share the same passion for painting outside. They come from many different backgrounds, many different locations, and many different personalities. Some are very representational painters, some are nearly abstract painters. Yet we all paint for basically the same reason: we have to. Along the way, I have come to know a few of these sisters and their families more in depth. It becomes like a network of friends that you hear from occasionally, but you think about more often than that. When one suffers a sickness or a loss, you feel it too. You know that while art is very important in their lives, so is their family. You also rejoice in their victories- awards, sales, new galleries, etc. And in the achievements or expansions of their families as well.

So, here's to you, my fellow Sisters of the Traveling Paints. You have made my journey into painting outdoors a lot more enjoyable by sharing it with you. A few of my oldest paint buddies:

Susie Covert, Bradenton, FL; Barbara Perriotti, Ormand Beach, FL; Diane Johnson, Cary, NC; Linda Blondheim, High Springs, FL; Ruth Cox, Myrtle Beach, S. C.; Phyllis Franklin, Thomaston, GA; Carly Hardy, Darien, GA; Marsha Savage, Smryna, GA; Sandra Babb, Ringgold, GA; Terry Mason, Sarasota, FL; and the many new sisters I have met: Jeanne Salucci, Long Island, NY;Priscilla Watson, Aptos, CA;Barbara Davis, Montgomery, AL; Barrett Edwards, Naples, FL; and others. Thanks for sharing your advice and your friendship.

May you always have your palette ready,
Durinda

Twinkies

French Cottage

oil on canvas

20 x 24

Twinkies? Yes, but not the creme filled cakes you are thinking about. Hmmm, that is a nice thought! I call my paintings that I "revisit" Twinkies. They were close to being finished. I hung them some place where I could sneak up on them and keep looking. This painting of the French Cottage went pretty quickly. I knew what I was going to paint. I had painted a small version on site so I was familiar with the house. But, working in the studio on a larger canvas, the temptation is to copy the photograph pretty closely. Tempting...Tempting.., just like the creme filled cakes.

And so it was hung and it waited.

When I first began painting en plein air or outdoors, I thought that every outdoor painting needed to look JUST like the scene and had to be completed on site. 100%. Wow, what pressure! Then I started reading and looking and listening to other plein air artists. "Your job is to create a beautiful painting. Not copy just what's there." "Nature isn't perfect. You are the creator. Move it, change it, and make it your own. " "Get inspired by nature. Paint what you feel." Finally, I got it! Compose, rearrange, change, but come away with the essence of what attracted you in the first place. You might have to lighten something, smudge something, even eliminate something when you get back into the studio.

Working in the studio, you have the luxury of time. No disappearing light, no dancing shadows, or weather conditions to make you paint like a madman. But, the photograph should only be an inspiration too. If the painting needs something, add it. If it needs something removed, do it!
My cottage scene needed something. I finally realized what it was. Why did I like it in the first place? I liked the flowers and vines growing around it. All I had to do was add more. Twinked!

In the oil classes last week I talked about using a mirror to view your work. It helps to see lines and angles that are not correct, shapes that repeat too often, and other compositional faux pas. But sometimes, all it takes is a little time away. Let the painting tell you what it wants. Put away the photo or the on site sketch. Make a painting that satisfies you and hopefully the viewers.

I am thinking spring, aren't you? And maybe one of those sweet creamy little cakes?

Happy Valentine's to you and those you love.

Durinda

Treat Yourself to Eye Candy!

Through the Poppy Field

oil on linen

8 x 10

It's not only time to buy sweets for the little ones, it's fall fix-up time! (Can you tell I watch HGTV?) You have guests for the holidays and parties coming up, you need something new in just the right size and color to liven up that room! This Friday, Oct 22, I will be doing a painting demonstration along with several other regional artists at Artistic Gifts & Framing, Dalton, GA. Donna Hilley, the owner, has lined up an outside street fair of sorts. We will be taking small works on canvas and paper, most unframed, for your gift list! I know when I rearrange things at home, I change out paintings and photos and a few throw pillows for a seasonal look. I am taking some of my little "jewels". Donna has lots of wonderful mouldings that would look great on any artwork you choose. If you don't see something that completely grabs you, commission a piece for that special place or someone. I am back from a wonderful week in Tuscany and really inspired to paint now! Hope to see you Friday!

Durinda

Ciao, ya'll!

Packing up for the Tuscany Workshop week. My bag may be overweight this time. I am carrying my pochade box, tripod, paints, and panels with a week's worth of clothes. Whew! Looking forward to the rolling hills covered with vineyards. We may have rain one day, so already thinking about interiors at the monastery and views out the windows. Don't know if I will be able to post from there or not, but do know that I will be painting, painting, painting! Hope all ya'll have a great week coming up too.

Ciao, ya'll!

Durinda

A LOVER-LY WEEKEND

My Mickey Award shot by my 5 yr old grandgirl

Blossom showing my art set up

Front: Barbara Perrotti, Dorothy Gardiner :Back Durinda, and Diane Johnson
at the Artists' Reception on Thursday night

English Doorway, oil on canvas, Sold















The Artists in the Gardens weekend was LOVERLY! The gardens were awesome and that is quite a feat given the cold weather that Florida has had this winter. I enjoyed seeing my art friends at the reception and lunches as well as painting in the "United Kingdom". The Epcot cast members take great care of us, providing water and sodas throughout the day. Friday and Saturday the weather was perfect and then Sunday it clouded up and poured later in the afternoon. We were packed up at lunchtime and didn't go back on the streets. I had a few sales, which is always an added bonus, and talked to some really interesting guests. The children are the most fun. I had two young boys who came right up to me and said, "I'm an artist too!" I just loved that!

If you get the chance, visit Epcot during the International Flower and Garden Festival in the spring. The plein air artists are there only the one weekend, but there is lots going on throughout the festival. I am so honored to have taken part in my fourth year and hoping for a return in 2011!

Now, go play in your yard!
Durinda

Love what you do

Approaching storm, south Lido Beach

North Siesta Key Beach, in progress

There's a commercial now for Blackberrys that uses three different scenarios of people overcoming obstacles, a musician, a clothing designer, and a young couple. In the end they are all triumphant and the slogan is "Love what you do." I found my ADD mind saying,"Do what you love." We all know you can't always do that. Sometimes you have to do things you don't really love or like because that's just the way it is. But you can love WHAT you do. Painting is like that. If you don't really care about what you are painting, it shows. When you paint what gives you chill bumps, other people can feel it too.

People have asked me if I find it difficult to sell a painting if I really like it. When I am working on a painting or a series of a subject, I live with that image. It is the last thing I think about at night and the first thing I think about in the morning. What does it need to communicate my idea? What is my next step? How much more work is left? Then, wah-la, it is finished. The point is made. I am onto the next image. Painting is really more about loving the process than loving the product. Once the painting is complete, it is ready for someone else to love. I have a "new baby" to care for.

I have to go now, I hear one calling...

Paint the whole world on an 8 x 10

You know who you are! You go outside with your paints and easel and BAM! Everywhere you look it is beautiful. Great light, great sky, glowing colors... it looks so good you just want to paint it all! But wait! You have to put it on an 8 x 10! What's a painter to do?

First, what attracts you most? What do you really want to paint? The sky? The trees? The grass? The water? The alligator? (no, really!) With your idea in mind, use a viewfinder, even cheaper, use your fingers and make a viewfinder, a keyhole, if you will and look JUST at the area you want to paint. Forget the lovely flowers on your left or the white bird- an egret?- that keeps strutting in front of you sticking his neck WAY out. Go away, distraction! The light will change in less than 2 hours and you have to get to work!

Make a sketch if you can, of just the large shapes. OK- you are going to put that on your canvas. Draw with charcoal or thinned paint. Go for the big blocks of local color. Here's your mantra for the day: SQUINT! Reduce the landscape into large masses of values and color. Get the essence, not the entirety ( I made that up!) Sure, it looks simple. The guy behind you is thinking, "I can do that". Yes, he can. That's why he is watching you and not painting himself. He "thinks" he can. He hasn't tried it.

Wow- that part took almost an hour. You still have to make it look like a landscape. Put in your lights. Put in your darkest darks. Hmmm, all you have to do now is tweek the midtones and then a few highlights- a tiny dab of sunlight here and there.

Time is growing short. The light has started creeping onto areas that were dark before. The shadows are much shorter. You are getting warm. A bee lands in your paint. Of course, he is in your most expensive imported white paint. You can paint around him. Naw, better flick him out. He looks like a ghost bee now on the ground. Maybe he can rub off the paint in the grass. Why did he want to dive in it in the first place??

You hear a rustling behind you. The looker is back. "Hmmm," he says,"I can see what you are painting now. Not bad." Thanks, you mumble, scraping off your palette. Note to self: in a little more than 2 hours, I painted "my world". Here's my world and welcome to it....

F-f-f-un Painting in F-F-F-Florida

Painting at the Myaaka River

Marc Hanson's Demo at the Beach

That's not snow you see there, it's sand, but we look like we could be painting at the Antarctic! Marc brought the cold weather from Minnesota with him so we could experience his same painting conditions. All week in SW Florida it has been 20 - 30 degrees colder than normal. Factor in the wind from the gulf and it feels even colder. Susie Covert called us the "Guerrilla Girls" for braving the out of doors.

Marc was here for a one week workshop in plein air painting through the M Gallery. He has a show there this month also. This was not a workshop for true beginners. We dove right in to working with value, composition, and brushstrokes. Marc kept us working with a timer. Some pressure, huh? Actually, it really kept you thinking about the painting. After all, "our job is to create a good painting" one of the many reminders Marc gave us. His other often quote was,"It is getting warmer, don't you think?" Not! At least it was a way to paint like the midwesterners without having to be there!

The teacher in me was really pleased at Marc's presentations and demeanor. He really tried to encourage us to think about what we were expressing and not just paint what was there. Jack Beal used to call it, "See, Put." You are in control, not the weather, not the paints, not the brushes, etc. My favorite painting of the week was at night- eeks- on a dock looking across the water. Talk about shivering! It was pretty amazing to watch and listen to him talk about keeping the values close. I like my painting looking across at the skyline and can't wait to try more- when it warms up, of course!

It's a wienie bit chilly out this am. After it warms up some, I will retrieve my paintings from the trunk of the car and try shooting a few to post. Marc gave us some advice on that too. Hope I can retain all this knowledge when I am out painting later this week. I am inside with my watercolors right now. Ahhh- it's warm here in the kitchen....

Now go play with some paint!
Durinda

Traveling Tuscany Coming Up!

I am starting to pack for the Tuscany workshop at San Fedele. I leave on Wednesday out of Atlanta. My whole group will be traveling together- Ann Currey, Faye Woolfork, Lisa Hutcherson, and Cam Busch. We will change planes in Paris and then arrive in Florence on Thursday around noon. From Florence, we will join the others who will be spending the week, an oil plein air group led by Barrett Edwards from Naples, Florida. A short bus ride and we will be in San Fedele.

To say that I am excited is an understatement. This will be my third trip to Tuscany and my first to stay at the converted and updated monastery of San Fedele. It is in the heart of Chianti country. Yes, this is the season for the grape harvest and wine festivals! See, I told you you should come! We will be using our watercolor paints, watercolor pencils, and Sharpie markers to capture all we can. I made our watercolor sketchbooks by cutting paper and matboard and having Office Depot bind them. I will be demonstrating some different techniques with the materials and encouraging everyone to not only sketch, but journal in the book as well.

And just when things couldn't get any better... we were notified that we are invited to exhibit our own paintings in the village that weekend and take part in a Quick Draw painting event on Sunday. So now I am packing a small framed painting to take with me for the show. Cam and Ann will bring along a painting too. I think I had better get another card for my camera! It will be a week of adventure and art. Who could ask for more? Oh yeah, great food, wine, scenery, and new art friends. I guess I will just have to "make do". ; )

If you missed this trip and are interested in one for next fall, let me know now so you can get on the list!

Ciao for now!

Durinda

O Canada!

Imagine setting up your easel to paint in a sunken garden with masses of spring flowers and weeping willows cascading over a pond running under a stone bridge. You hear the Canadian national anthem "O Canada" being sung by the wait staff of a restaurant nearby where whiffs of grilled steak permeates the air. It is a comfortable 70 degrees in late March. Life is good!

My adventure in the Artists in the Gardens weekend of Epcot was wonderful. Despite the windy day we had on Saturday, the early Sunday morning rain, and the lack of shade in the afternoons, I had a difficult time choosing what to paint. When I first received my assignment, I thought, "What's in Canada that I would want to paint?" Little did I know that the area is based on the Butchart Gardens in British Columbia. The original sunken gardens were developed in a limestone quarry. Of course the gardens and grass in Epcot were "Mickey" perfect. An ideal setting for a plein air artist, if you can paint and talk to mulitudes of people at the same time. :>) That is really the fun of it all, meeting the guests and talking about your art and art in general. Children are especially curious and ask great questions. I was fortunate to have four paintings go to new owners. I even painted under shelter Sunday when it was pouring down rain!

My "art buds" this year in Canada were Dorothy Gardiner from St Pete and Linda Pence from Gainesville, FL. Both are wonderful artists and old pros at painting en plein air at Epcot. We shared a great host, D.J. Gibson, who normally works in management. He helped with our setups and getting us where we needed to be on time. The three days went quickly and I am so glad that we were able to paint through Sunday this year. Last year, we had stormy weather that called off Sunday afternoon painting. If you have a chance, you should definitely go to WDW during the flower festival months of April and May. You won't be disappointed!

For you painters, I tried out my new Anderson easel that swivels. It has telescoping legs like my Soltek. I think it weighs 7 or 8 pounds and is very easy to put up and carry. It worked great for my watercolors this time because I could lower it and sit down to work, stand and paint upright, or swivel it flat to add detail. The only problem was adding an umbrella. I will have to work on that! I worked on Stratmore's Gemini paper which has a softer tooth than Arches. It took the washes well and worked fine for outdoors where you usually have to really pile on the paint to keep it from disappearing.

Wishing you a season of beauty and good scents!

Durinda

Siesta (don't think so) Key Painting Adventures

Painting at Selby Gardens: Back row: Ruth Cox, Myrtle Beach; Sandra Babb, Ringgold Ga,;Jacq Baldini, New York. Front: Jacq's sister and Durinda

Jacq is here to teach a two day workshop. She is president and founder of International Plein Air Painters. We met up to paint on Thursday before her workshop starts. I know they will have a wonderful weekend to paint.

Ruth painting at Spanish Point. Ruth is a signature member of IPAP.

Ruth and Sandra enjoying a break from painting

Sandra painting a boat repair building (don't know what else to call it). These two gals are part of the Southern Ladies Art Conference which gets together in different areas when we can to paint plein air and talk art! Since there were three of us this time, I guess you could say we had a "mini" SLAC. I will miss seeing them in late March at Callaway Gardens because I will be a guest artist again this year at Epcot that week. There I will paint with other SLACers, Linda Blondheim, L. Diane Johnson, and Barbara Perrotti.

Out in Sunny Florida, Painting! This is Katie Cundiff's Plein Air Group which meets on Mondays. Katie is represented by M Gallery in Sarasota: http://mgalleryoffineart.com/artists/dodsoncundiff_katie

Monday Painters at Ringling Museum: Toni, Eileen, Mary Jo, Marjory, and Katie and Durinda. We had a few more but I missed shooting them at the end of the day. Can you tell our study was on trees?

It was so helpful to really study the values and forget the colors for this exercise. I thoroughly enjoyed getting to know this group of painters and working with Katie. She is not only a wonderful painter, but a very informative instructor. I will miss you gals!






It's been a great week of painting. Now to clean up and prepare for my workshop with David Leffel. Yes, I will be inside :-( but I just couldn't pass up the opportunity to work with such a master artist. At least I know I won't be getting green paint all over me next week! (brown, maybe? ;>)

Wishing you a week of wonders!

Durinda

Celebraties

This is Katie Cundiff painting with a limited palette at the Ringling Museum. Did you know you could make a landscape with just red, yellow, black, and white? So, no excuses about not having the right tube colors.

On Saturday, I painted with the Tom Lynch en plein air watercolor workshop at Marina Jack's in downtown Sarasota. Tom is here for a week of sessions sponsored by Sarasota Art & Frame. You could choose your days and topics. I took part in the Mountains and Mist day on Wednesday also. Tom really gives you a workout with a series of exercises. My "teacher self" was impressed. He also generously gave each of us one of his prints that he signed.

You never know who you will run into while painting en plein air. Ever get that feeling that someone is watching you? Susie Covert and I enjoyed a morning of painting on Lido Key Beach with our new "friends". Lido has some wonderful trees which sounds strange when you think about a beach, but for painters, it is much more interesting than just the flat white sand on the beach.

We also painted with Suncoast Plein Air Florida at a marina on Thursday in the fog! Usually the fog will lift after a while, but this one didn't. Talk about mixing grays! Do not attempt this from a photo! ;>)

So much to paint and so little time!

I also attended a demo this week at M Gallery. Roger Dale Brown from Nashville was in town and showed how he painted in the studio just like he paints outdoors. He uses his computer screen for his image. This scene was in Ocala where he had painted on location and also took some photos. It was interesting to see how he modified the image from the photo to produce a beautiful composition.

With all these new ideas and information, what shall I do today? Hmmmm....paint?

Wishing you a week of new discoveries!

Durinda