Showing posts with label still life painting. Show all posts
Showing posts with label still life painting. Show all posts

Wednesday, December 22, 2010

Sending Holiday Greetings Your Way

Tuscan Poms and Grapes
Oil on linen
2010
It has been my tradition to paint or draw my own holiday card image since I was in college. Some years I have ideas in the summer months and have the cards at the printer's in October. Most years I am painting at the last minute and the printer worries that the cards won't be ready Christmas week. As with most people I know, I don't send out as many cards as I once did. I am sure most people think that sending cards will become a thing of the past since so many send email messages now. I still believe that people enjoy receiving a "hard copy" of a greeting. You can look at them more than once, they don't take up memory space on your computer, and they can be shared with others without having to type or click a key. I like seeing the family photos that many send.
My image this year is from a table setting in Tuscany. While going through my photographs to find something to paint, I came across my shot of the bowl of fruit. Very simple, and yet I immediately thought of the symbolism of the pomegranate for abundance, fertility, and good luck. It has been used for centuries as a decoration in many cultures especially Mediterranean countries. All this to say, I wish for you and your family a year ahead of prosperity, happiness, and peacefulness in your heart. If I can be of any service to you this year, please contact me. I cherish the relationship I have with you.
Remember that there would not Christmas without Christ.
Durinda

Sunday, December 5, 2010

Painting Classes

Mike working on his watercolor Imke and Maren with their still lifes

I couldn't resist sharing a few shots from my weekly classes at Townsend Atelier since we finish up this week. The students this session were so dedicated and easy to teach. Mike had private sessions in watercolor painting on Mondays. He is an excellent draftsman with graphite (pencil) and wanted to learn to use color with watercolors. He really has developed his skills quickly. Tuesdays the morning "beginners", because most have a background in some form of drawing or graphic design, have sped through some still life paintings. Some with natural light and some had spotlights. The afternoon painters chose a landscape theme for this term and have painted their way through the seasons, finishing with a snow scene. We love our open space at the Atelier where we can arrange easels and setups in different ways. I can't believe the second session is coming to an end. Time flies when you are having fun painting!
New sessions begin January 10 & 11. Many of you know I have spent winters in Florida for the last eight years. This year I am going to try to "stick it out" here. It's not easy for me. I am sure I have S.A.D. So to prevent any downward feelings on these cold dark days, I have decided to have lots of color in the classes! We will use flowers of all sorts and sizes as subjects during the next term. I love to paint close-ups and also floral bouquets. So if you are craving some brightness in January and February, Peggy is taking registrations now! Don't feel you have to be experienced in painting flowers. We will start off with the basics. I will get back to landscapes in the spring, maybe a garden or two? And hopefully take a few of you outdoors with me painting. Until then, I hope you are enjoying the holiday season!
Colorfully yours,
Durinda

Thursday, March 18, 2010

Sharing Words of Wisdom

David Leffel with his portrait demo
I had the opportunity to attend the David Leffel workshop on Longboat Key in February. This is my second workshop with David. There were six of us who were returning students. Needless to say, the level of artwork from the students was very high. I guess every field has its superstars and groupies. I read where Einstein had a following. David certainly has his groupies. He turned around once while helping another person and saw me- notebook in hand writing down his every word. I learn so much just from listening to him explain the method of painting. My favorite quote of his is "Painting is a very logical way to putting down what you see." Yes, he makes it sound and look so easy. We all know that it isn't, but we strive to get better.

This year David amazed us by doing a self-portrait. He painted most of it on Thursday night with an audience after teaching all day. I thought it was pretty amazing then. When he worked on it a little the next day in class, it was truly amazing. Just little twinks of brushwork here and there and it really came to life. David has a new book of his many self-portraits. He encouraged all of us to do self-portraits yearly. I haven't done one in years. Something else to strive for. I think I need a few more lifetimes to get everything in I want to paint and do, don't you?
Now, to get ready for the Artists in the Gardens weekend in Disneyworld next week!
Durinda

Sunday, February 7, 2010

Mix and Mingle

God's Gift to us this week

Showing my mini-tonalist painting in progress







Silver teapot with fruit ala Abgott





With Anne Abgott in Sarasota




No, this is not a social get together invitation. This is the concept behind Anne Abgott's watercolor paintings. It is so much fun to discover the local artists in Florida. Anne teaches one day workshops all over the place. I first saw her work in the Florida Suncoast Watercolor Show at Art Center Manatee. The show was up with the traveling American Watercolor Show. Anne is a recent signature member of the National Watercolor Society. She has a book called Daring Color. So when she had an opening for a one day workshop painting silver and fruit, I signed up! I have been painting scenes from Italy in watercolor lately and was curious how I could use the transparent palette that Anne used to get those rich darks in my shadows.




Then came the opportunity to study the luminous landscape with Deborah Paris for a week. Deborah is originally from Florida and now is a Texan. She "went to the dark side" a few years ago switching from plein air pastels for which she was well established, to painting Tonalism landscapes in her studio. Tonalist painters include Inness, Turner, and Whistler. Now why was I interested in Tonalism? Again, it relates to my collection of imagery that I someday want to paint. I have these images of sunsets and sunrises, storm clouds, and fog from Venice to Ringgold that I just wasn't sure where to start. Ah, using the layering of glazes, I just might be able to obtain that subtle shift in color that I was seeing. Deborah has a real emotional connection to her subject matter that comes through for the viewer. It was a lot of work, a lot of art talk, and good company for a week.


I know it appears as if I am a workshop junkie this winter! I have happened upon a few artists that I have interest in their techniques. It is the immature artist who ends up copying the style and subject matter of another more well known artist. Who wants to be an art clone? As an instructor myself, I always pick up ideas about teaching, new materials, books they recommend, and colors that I haven't tried. Sometimes it turns out I learn what NOT to do! But mostly I have great respect for artists who share their knowledge with patience. It is also good to be a student again once in a while. It reminds me to slow down and remember to explain things as I go.


It isn't a Gift, if it isn't shared.

Now, go share with someone and Happy Valentine's Day to all you lovers of art!


Durinda



































Sunday, March 8, 2009

Working with a Master

David's painting demo














David's model demo. David starting his painting. My first still life set up.










David and I are all grins
Nancy's portrait by David

Some photos from the week long workshop at Longboat Key with master
artist, David Leffel.




I went back and forth on whether to take it.
I really love his work. I really felt he is a
great American master artist, but was I ready to give up a week of Florida sunshine to paint indoors? Did I feel that I was up to the task of painting with him?



In the end, I was more than happy that I gave up my week outside. David not only is a master artist, he is very personable. Soft spoken, he makes painting seem so effortless. Every stroke has meaning. He just enjoys painting! Some secrets? There are no secrets. There are no tricks. Painting is hard work. You must paint to learn how to paint. No one will love your painting unless you love it first. I could just listen and watch him all day.

You can imagine on the last day how I felt when he came by and told me my jar in my still life was wonderful. I almost cried! I need to shoot my paintings. I have been working all week in the studio on one of three large paintings for a commission due next month! But will try to catch up with my paintings from Florida plus my oil still lifes from the workshop. Before you know it, it will be time to head back to Florida for the Artists in the Gardens in Epcot the last weekend of the month.
Think Spring!
Durinda




















Sunday, July 13, 2008

Floral Painting Workshop Coming July 31 & Aug 1!


I will be leading a two-day workshop in painting flowers at the Happy Painters Studio on Lookout Mountain. This is a class that I have been thinking about since teaching the Sketching Callaway workshop in April. I envision lots of flowers on a center table with artists circled around it. We will begin with sketching individual flowers to explore the structures. Next, we will work with composition, different techniques, and color with setups. Each artist will complete a larger painting in the medium of his/her choice.

The workshop will be 10 am - 2 pm on Thursday, July 31 and Friday, August 1. Artists will need to bring their painting supplies, supports (paper or canvas), and a sketchbook with sketching pencils. Cost is $100. The class will be limited to six. You can bring a lunch or order from the Mountain Cafe. Email me to register: Durinda@Durinda.com.

Let's Paint!

Durinda

Sunday, March 2, 2008

Valentine's Painting

OK, I do have a mean streak once in a while. This is what was left of my Valentine's Day bouquet from my husband Bill. I thought I would show it next to my painting. My point being, you have to paint fast when you work with live flowers! They were here a few days before I finally gave in and started painting them. These actually kept well and you can see the daisies are still not bad, but the roses and other flowers are long gone. I finished the painting last week and yes, tossed the flowers!

For you painters, try working close to life size when you have flowers or a still life set up. Use as large a brush as you can and get the paint on there!
I used some impasto strokes (thick) on some of the flowers. Bill said it reminded him of a Van Gogh. (He was just trying to impress me with his art knowledge- ha!)
Now to finish painting those potted jonquils that I bought last week for my art classes and no one chose to paint them. I guess I am just a sucker for flowers this time of year!
Enjoy your week!
Durinda

Sunday, February 24, 2008

Paintings from Florida


Here are some of the paintings I worked on while in Siesta Key.
The first is a group of bottles and glasses that I set up in the kitchen. While my other paintings with wine bottles are in very neutral colors, this one reminds me of the friends that came to visit and brought paintings to critique from our plein air painting trips. The center painting is en plein air from a house outside the Selby Gardens gate. Barbara and I were in search of "color" that morning. The fog was heavy and she showed me how to paint the sky very gray and then punch in the color when the fog lifts. Guess what? It worked! I think it needs a little more work here and there, but I like it.
The last painting was started at the Artists in the Gardens paintout in Epcot last April. I carried it with me to Florida because I kept thinking that it needed something. By adding some variations in color to the blossoms and hitting the highlights again with whites, I think that did it. I may do a larger painting from this study. What do you think? That is what is nice about doing smaller paintings, you can work out the problems and then paint a larger version from them.
I have a few more to post from that month away including some en plein air watercolors and some watercolor studies of ballerinas who posed at the Sarasota Art Center.
Just a few more weeks until spring!
Durinda