Games

I don't know if you are like me, but watching the Olympics this past week has been an emotional roller coaster. You want so much for team USA to win every event and yet you know that isn't going to happen. You watch as one tiny mistake, one fraction of a second, one too many breaths or whatever causes the athlete or team to be defeated. You know that the athletes have have put in years of training, spent thousands of dollars, and missed family and childhood events to be where they are and their possibly one chance of glory.

You know this relates to art, right? I think about students in a workshop who say, "I want to paint like you." And while flattering, that isn't going to happen in three days or whatever. I have always drawn and painted. I read art books and now art articles and blogs constantly. I have spent thousands of dollars to attend workshops and classes, not including my college stints. I have tried different media and styles and substrates. I was fortunate enough to have a mentor at first in watercolor. I have been fortunate since to study with some other highly regarded painters. But it all boils down to...

Practice! Just like the athletes, you aren't going to improve or find your voice or style if you don't put time into it. If you can only paint one day per week but you DO paint every week, that's much better than little spurts here and there, a different artist's workshop every month, a different dvd, etc. Yes, you can learn something from every artist, sometimes more from the other people in the class, sometimes what NOT to do, but ultimately, you are the art producer. So once you get your feet wet so to speak and have the fundamentals, choose an artist to study whose style you really admire. Choose classes or workshops on your level, not those that allow everyone from the real beginner to the most advanced. Choose sessions with small numbers in the class, even if it costs a little more. You are kidding yourself if you think you will get attention in a class of 30 or more and some artists demand that many in their workshops.

So, set some goals for the rest of this year to paint more or to improve whatever you do. And if you get discouraged, just be thankful there isn't an Olympics for art. You have plenty of chances to create your masterpieces and you can only get better!

Go for the Gold!

Durinda

Monet, Monet!

Jeanne and Pat on the Japanese Bridge in Monet's Garden

Yes, it was raining the day we went to Giverny to see Monet's House and Garden.  And, it wasn't an easy trip.  First, we left Paris on the Metro (their subway) to the train station.  Then we took the train to Vernon, a town next to Giverny because the train doesn't go to Giverny.  I think Monet chose this town on purpose for that reason!  So then you catch a bus from Vernon to get there.  You could take a cab, but then you would have to make arrangements for a pick-up since they don't hang around in Giverny.  Finally we are there in every painter's paradise!  I have been there and painted there in the past, but never saw the iris and the wisteria in bloom.  Amazing!  Even in the rain, the colors were spectacular!  

I just happened to catch ONE of the school groups having a group photo.  They looked to be 4 or 5 yrs old.  There were hordes of school children there!  I felt sad that it was raining on their field day but very pleased that their teachers wanted to bring the children to see the home and gardens of an artist! 
Monet loved children.  After his first wife Camille died, he and Alice who became his second wife, raised his two sons and her children in Giverny.  He painted them in the gardens.  I like to imagine the family living there.  The kitchen is my favorite room.  It is tiled in blue and white and is large and cheery.  I can see the children coming and going while Alice cooks, Monet outside painting with Blanche, one of his stepdaughters, rolling a wheelbarrow filled with canvases for him.  She loved to paint too! 
I just want to say, "Thank you, Mr. Monet, for devoting your life to painting and to gardening so that generations to come can enjoy your art and your home."  And thanks to the Claude Monet Foundation for restoring the properties and maintaining them.  If you like Monet's paintings, I hope that you have a chance to visit Giverny and see the places in the paintings!

That reminds me, I need to water my flowers!
Au Revoir!

Durinda

 

ICE

Spending the day shopping at the street market in Isle sur de la Sorgue

May 17,2012

I don't know if you have ever traveled to Europe, but I am addicted to it.  There is just something about being in a new place that is very different from home.  I love everything about it.  There are however, a few things that we as Americans take for granted that the Europeans seem to live happily without.

Ice- never comes with a drink, not coke or tea.  Forget having it in a glass of water.  I know from being in New England it is not as common there either, but usually you can ask for it.  I figure the New Englanders are just too cheap to take up space in a drink with frozen water (sorry all my NE friends- this is a generalization of course!)  But in Europe, ice is used to keep things cold in a freezer and not to be consumed in a liquid drink.

Soft sheets and towels-never take for granted your indoor dryer and fabric softeners.  Most laundry is hung outdoors to dry in Europe just like your great-granny did it.  So no thick fluffy towels or 700 thread count cotton sheets unless you are staying in a 5 star hotel and paying the big bucks to sleep a few hours.  You're in Europe, for pete's sake, don't spend it in a hotel!

Washcloths-who knew that not having a washcloth would make any difference?  It's all in what you are used to, right?  A couple of our gals even bought some while we were there since they are not provided.  It is pretty universal in Europe not to have them. 

Shower curtains-some places do have glass doors for showers, but if there is a tub, there isn't a shower curtain.  You have to do the best you can to shower and not flood the entire bathroom.  OK, so it was me who flooded the bathroom in Paris the first day.  And given that you only get one towel for a week, you learn to direct the water so it doesn't spray all over the room. 

Toilet seats- now here's the "touchy" subject!  Few places have a separate men's and women's.  That means there usually isn't a seat on the toilet.  Guess it saves cleaning time?  No problem with keeping the lid up or down?  And that is if you are lucky enough to find an indoor toilet in a public place.  Yes, they still have the "holes".  I found it funny that they would have fancy metal hangers for purses or coats in the same room.  And usually have electric hand dryers.  I remember my dad telling me about the "water closets" that he saw when he was there during WWII.  Still there.  Maybe even some of the same ones? 

Despite the minor differences in things we deem as "normal" in the US, we 6 Tennessee gals plus 2 Minnesotans did a fairly good job of contributing to the ailing economy of France on this trip consuming delicious meals, pastries and desserts. And maybe a bottle of wine or two.  Not to mention the clothes, scarves, linens, and other items we all bought and brought back.  It was a hard job, but hey, somebody had to do it without ice on this trip!

For Memorial Day, let's not take for granted the lives and sacrifices of our military.  Enjoy your weekend.


Durinda

The Voice

I know you have seen or heard of the television show called "The Voice".  It has contestants who sing and are chosen by one famous singer on a panel to be in their group. Then the people sing and are eliminated over time until one person is the best "Voice" of the season.  Then they start over with another group for the next season of shows.
It came to me that being an artist is a lot like that.  Of course you knew I would relate it to art!  Every painter wants to have their own distinctive style of painting, one that is recognizable, a subject they are associated with, in other words, their "Voice".  But unlike singers who know that they must constantly practice to improve, a lot of artists think they can study with a famous artist, sometimes a weekend, a week, or in an on-going class, and then they will "copy" all they can from the teaching artist to paint just like him or her.  That way, they will be as famous, right?
Sometimes it works that way.  There are women artists who studied with and then got into relationships with successful artists who do paint a lot like them and who, with their connections, have become famous in their own right.  In the olden days, artists took on apprentices who then had to produce their own "masterpiece" to join the artisans guild or get in the Salon show to prove they had "made it".  Their work, however, did not mimic the masters necessarily. 
Everyone who has taken a class or workshop, seen a demo, watched a dvd, or worked under an established artist, will show an influence.  The real artist will continue to work on his or her own, taking what works for them from the master artist, and developing his or her own style.  Cezanne said, "I paint this way because I can't paint any other way," or something like that when he was asked about his style of painting. 
So to truly become an artist with a Voice, have something to say.  Paint because you can't not paint.  Paint because you dream paintings and see visions in your head.  Paint because you are miserable if you don't.  There is no magic number of paintings to do in a year or over time.  One hundred, two hundred, it doesn't matter.  Your voice will start to sound like you and you alone.  Develop your voice, the world is listening. 
LA! LA!LA!

Valley View

Oil on museum quality board

8 x 8

Durinda

Inspiration

Golden Moment

Oil on linen

20 x 24

Available

It is difficult for me to understand artists who have "creativity" blocks.  They can't think of anything they want to paint.  I am sure this must happen to some people once in a while sort of like writer's block?  I am not one of those people.  As part of my ADD, I can get over-stimulated with visual images.  I can see paintings nearly every place I look.  I am constantly seeing compositions and thinking about how I would paint something.  I name colors in my head and how to mix them.  I am not a good traveling companion.  Instead of navigating, I am looking out the window and painting in my head.  Do other artists do this?  Surely some do! 

So how do you become inspired to actually go from looking at something or seeing something in your head to putting in down on canvas?  First, I think of painting as a visual language.  What is it you want to communicate to others?  You will not be standing next to that painting to explain it, what is it you want to say about the subject?  It is about the color scheme, the mood, the atmosphere, or the light?  Is it the tilt of someones head, the expression of a child, the texture of a cloth?  Then choose your tools:  the medium, the colors, the brushstrokes.  In my recent workshop "All About Color" one student said, "I have learned to Think More and Paint Less."  Hmmm, perhaps that is something we all need to do.  Like thinking before speaking.  Make your comments count.  Your inspiration is waiting!

This weekend, March 23 - 25, I will be painting en plein air at Walt Disneyworld's Flower and Garden Festival 2012.  It takes place in Epcot every spring and I am always so thrilled to take part.  I will be in "Italy".  This is my seventh year to be invited?  I'll be posting on my FB page: DurindaCheek and on my Fan Page:  Durinda'sFineArtFanPage so hope you can join me and see my inspirations for this week!

Ciao for now, ya'll!

Durinda

Loose Women

Enchanted

Oil on museum quality board

6 x 6

(My first painting at home since the workshop, what do you think?)

With Leslie Saeta

Dreama T Perry

The Rowdy Corner of Southern Gals, minus Karen taking the shot

What better place to encounter loose women than Buckhead in Atlanta for a week?  I was part of Leslie Saeta and Dreama Tolle Perry's workshop.  Leslie and Dreama are two of the Daily Painters.  Leslie paints with a palette knife and Dreama works in transparent oils.  Both very different styles and especially different from mine.  What did I want to learn?  To loosen up of course!  I am wanting my oil paintings to look more like my watercolors.  I know that when I paint with watercolors, I am confident and just go for it!  I put colors where I see them and not where they necessarily are.  I can swish and splatter and work wet-in-wet.  I have felt that my oils lacked that looseness, that confident brushstroke, that surprise of color.  These two gals were about as loose as you can get, fast and furious, brave and confident.  I also found out that painting with a palette knife takes some practice.  I wasn't sure if I could hold my mouth right to get those strokes I wanted.  The benefits of knife painting?  No brush cleanup, soft edges, textured paint, clean color.  So whether or not I pursue either of the gals' styles in painting, I have told myself, "I can do this!  I can mix color, put it on, and leave it alone."  It was fun being a student for a week, observing how they each had their style of teaching, being around artists I knew already and meeting new artist friends.  Now, if you will excuse me, I have some paintings to knock out in the next couple of hours.

Paint Happy!

Durinda

Dual Identities

1942 Frogs and Fish

Cordon Art Netherlands

M.C. Escher (1898-1972)

tessellations.org

This image by M.C. Escher is one of his tessellations. It looks simple to us, but he studied the shape and placement of different motifs to make them tessellate. Escher is perhaps best known for his optical illusion images of stairs that go both ways, etc. What I admire about his work is that he never gave up. He kept exploring possibilities and giving himself challenges. In his lifetime he made 448 woodcuts and linocuts and over 2000 drawings. He kept working even when his work wasn't that popular. If he were alive today, he would be amazed that he is such a world renown artist.

Many of you know that I am an art teacher as well as painter. I will be presenting two lessons tomorrow in Demopolis, Alabama for teachers. We will examine the connections between the academic subjects they teach and the arts. Well, I can only hope that the teachers tomorrow will see the connections between what they already teach and what art can add for their students.

As a painter, reading about and researching artists for lessons always gets me motivated. When you think about some of the conditions that some of these artists lived in, and yet they still persevered and kept creating their art. Most did not attain wealth or fame during their lifetime. Picasso, Dali, and Monet being a few of the exceptions. And the best part, they kept working in their own style, no matter what the "trend" of the day was, their art represented them. I think that is a lesson for us irregardless of what we do for a career or hobby.

So keep working!
Durinda

Arts Infusion in Alabama

Top: Tina Cherry, assistant; and Durinda

Bottom: A classroom full of teachers

Last week I was in L.A. (Lower Alabama) to teach for a workshop on Arts Infusion. I love that title! We met at the lovely Troy University of Dothan. Teachers from two schools in Dothan, Grandview and Fain Elementary, came for four days of training in presenting the arts along with their regular subjects. We began with a study of Texas artist David Bates who paints people and places that he loves. Our first production was a collage showing a favorite place or memory. Tuesday we worked with Leonardo da Vinci and his work with portraits and inventions. The photo shows the teachers' faces they drew using a grid method of drawing. Wednesday was the study of Jacob Lawrence and his depiction of the scenes and people of Harlem where he lived.
Teachers created paintings with tempera (remember that?). What fun!

It can be out of your comfort zone to paint or draw if you don't ordinarily do anything like that. I was proud that each of them, including their principals and program directors, attempted the productions. I think the arts are VITAL to a child's education and providing them the opportunity to communicate through the arts is so important. We want our children to be creative thinkers and problem solvers. Their world is going to be so different than ours, who knows what problems they will face in the future? Let's give them the tools to be creative!!

Check out http://www.alaarts.blogspot.com for more on teacher professional development this summer.

Spreading the Gospel of Art....

Durinda

Oh, I come from Alabama.....

The Visual Arts Staff on Friday, minus Sally

What a great week with the Alabama Institute for Education in the Visual Arts, June 15 - 19, held at the Montgomery Museum of Art. We had 36 participants from all over the state. This was truly a group "who played together well." My deepest thanks go to my facilitators aka "The A(Art) Team": Sabrina Hubbarb, Donald Myer, James "Doc" Bender, Sally Chambliss, and Margaret Snider. The week could not have gone on without them. Our special guests were Margaret Lynne Ausfeld, curator of paintings and sculpture at MMFA, and Charlie Lucas, sculptor. We were very fortunate to have Pat Wanglie, a seasoned docent from MMFA, joining us for the week. Pat did a great job describing the museum's sculpture collection. She also contributed a lot with our classroom activities

Some of the units we covered during the week were da Vinci's painting and inventions; Van Gogh's expressive painting; Georgia O'Keeffe's nature subjects; Picasso's Cubist sculptures and Charlie Lucas' Outsider art. On Friday, we had a rotation day with the other art institutes and a lesson with Jacob Lawrence. I am hoping that the teachers who attended will be able to share new ideas about using art in their classrooms. I look forward to teaching again at the Arts Integration Workshop in Montgomery and a Professional Development week for Dothan schools in July. I created a new blog for posting art related lessons and photos from the week: http://www.alaarts.blogspot.com/.

Just a plug: the Montgomery Museum of Fine Arts has a wonderful collection of American art. It is a beautiful setting in the Alabama Shakespeare Festival park.

Wishing you lots of creative thoughts!

Durinda

Life at the Beach

New Year Greetings to Everyone! I hope your holidays were filled with joy. I have been catching up on different blogs and newsletters the last couple of days and really amazed at the determination of artists to make the new year a successful and productive one. Everything from keeping a daily log to writing long term goals, improving marketing, etc. has been in their articles. Good thoughts! I am in my "good place" for two months now; the place I envision when scary or hurtful things are occurring ...the dentist(sorry Jason), etc.. It is also the place where I can let my creative juices flow. No normal routines, no interruptions, nothing to keep me from painting or drawing or just thinking. It also gives me time to self reflect.
I will be working on plans for the coming months: new classes, new workshops, and new paintings, of course. I hope to keep you updated on works in progress.
In the meantime, I hope you will also have a block of time in your life to just enjoy the stillness.
Peace! (that's my message from my "hippie" house at the beach ;>)
Durinda

Cha-Cha-Changes

The new gallery space, 2712 LaFayette Road, Ft Oglethorpe, Georgia

For those youngsters, that was part of a song from some years ago. It was going through my head today when I was thinking about this past week. A lot has changed! My daughter gave birth to a boy Monday night. She has two girls, ages 4 and 6. This new addition is a real cutie- blonde hair and eyebrows, sure to have blue eyes. So now, our family has increased. I didn't think it was possible to love another child as much as I love the others, but it is! Somehow your heart is big enough!

This week also marked a change in locale for my weekly classes. Instead of meeting on Lookout Mountain, we met at my Ft Oglethorpe studio for a Color Workshop. I called it, "Need to Know about Color". They were very enthusiastic about making charts of colors and mixing grays. Hopefully, they all gained something they find usable in their painting.

Then, this weekend, we have been moving the studio to another building just down the road from where we were. I say "we" because I share the space with my husband, Bill. He has an office for his company and I take the majority of the space to paint! Good deal, right? It has been some experience packing and moving supplies, canvases, easels, tables, etc. When I moved from my retail space a year ago, I put everything in storage and went to Italy for two weeks! Needless to say, there are boxes I haven't opened since and here they were, ready to move again. My son and husband have been very patient with me- I have enough canvases if we have a major depression for the next five years. I know this because he told me! So I said, "Right! I can keep on painting while other artists are wishing for canvases." :) So, if you are in need of a painting and NO ONE else in the USA can do it because they are out of canvas, I am your artist!

Of course the major change in our world is our new president elect. I am hopeful that he will be energetic yet methodical in his duties. It's not a job for a sissy! How great is it to live through a stage in history like this?

Back on the "art front", I will be taking commissions for original works through Michael's Fine Arts and Framing in Dalton, Georgia. Now is the time to request a painting in time for Christmas. The house portraits will be offered with framing at a great price. Stop in and see Michael at 1325 Dug Gap Road or phone: 706-278-8840 for more information.

Have a wonderful week and remember our Veterans.

Durinda

Hunter Eddy Workshop Notes and Upcoming Show

Studio class with Hunter Eddy

painting demo

Shown at top is the painting demo by Hunter Eddy next to the real vase of money plant. Hunter was in town at the Gold Leaf Gallery (http://www.shuptrinefineartgroup.com/) for his show. He gave a talk/demo on how he paints. Hunter is an instructor at the Florence Academy of Art, Florence, Italy (http://www.florenceacademyofart.com/) . It was very enlightening to have him explain the procedures of painting that require precise measurements and accurate color mixing. His work is not photographic, but soft edged and very subtle. They remind me of Jean-Baptiste Chardin (1699-1779). Hunter also does large figure paintings, mostly nudes, from models at the Academy.

The other photo is part of the our oil class from the Lookout Mountain Studio who attended the demo: Anne Platt, Sarah Fowler, Hunter Eddy, Durinda, Evelle Dana, and Martha Elder. We now have our notes and observations to compare. On our next workshop trip to Tuscany, we will definitely visit the Academy and see Hunter's studio. Evelle Dana's son, Brent, attended one year after graduation from Baylor and loved it. The first year is very strict about learning to draw from life using plaster casts and then drawing from models. Excellent instruction that some of our American art schools are not teaching. Everyone who wants to paint realism should study drawing, in my opinion. I know there are artists who have never taken formal classes, but drawing consistently in a sketchbook counts too. It is all in training your eye.






Featured Artist for October at Amelia SanJon Gallery:



I will have 5 or so paintings for the First Friday opening, October 3, at Sandy Hinton's gallery in Fernandina Beach. See earlier posts: Around Amelia and Amelia Island Part 2. The show will be up through October. Here is one painting based on my stay there this summer. I fell in love with the area and decided to do a series of beach chairs in different sizes and situations from 30" x 36" to 4" x 4". This is Dune Buddies, 36" x 36", oil on canvas. I also have a couple of paintings of the wonderful Victorian porches and the marshes. An article is in today's Town Talk in the Chattanooga TimesFree Press about the show and the upcoming workshop with students from Happy Painters': L.J. Huffaker, Anne Platt, Martha Elder, Sarah Fowler, Barbara Murray, Ann Currey, and Betty Moses. I am hoping that there will be interest in doing another workshop there again soon.

Lots of things coming up- hope you are having a great start to fall too!

"Every artist was at first an amateur," Ralph Waldo Emerson

Durinda

Amelia Island part 2 and fall paintings

This is SanJon Gallery in Fernandina Beach on Amelia Island, Fl.

Here is the shot of Sandy Hinton and me in front of some of her wonderful works in her gallery I talked about last week. Sandy paints in acrylic and watercolor. She had a painting in the Tennessee Watercolor Society exhibit this year. I put links to her work and the gallery in last time. I hope to show a few tropical paintings in her gallery during October. Amelia will be a great place for the workshop. Lots of interesting things to paint!

I don't know why I couldn't load my photos last week, but I think the computer is trying to tell me something. I think I have every photo on it that I have ever shot with a digital. HMMM- time for a cleaning?

This week in the studio I have been working on fall landscapes. Never too early to get ready for fall shows! My concern has always been how to keep fall landscapes from looking like "Kmart", excuse me, but the contrast of reds, oranges, and yellows, with greens and browns can be too much. I credit Diane Johnson with getting me in the North Carolina mountains one fall to paint foliage. Her advice was to mix a complement with the colors. Since the sap is going away, so is the color, so you need to dull it. Only where the sun hits directly on upturned leaves would there be a brighter hue. I try to keep that in mind when painting fall scenes.

Get out and enjoy the summer while you can!

Durinda

Floral Painting Workshop Coming July 31 & Aug 1!

I will be leading a two-day workshop in painting flowers at the Happy Painters Studio on Lookout Mountain. This is a class that I have been thinking about since teaching the Sketching Callaway workshop in April. I envision lots of flowers on a center table with artists circled around it. We will begin with sketching individual flowers to explore the structures. Next, we will work with composition, different techniques, and color with setups. Each artist will complete a larger painting in the medium of his/her choice.

The workshop will be 10 am - 2 pm on Thursday, July 31 and Friday, August 1. Artists will need to bring their painting supplies, supports (paper or canvas), and a sketchbook with sketching pencils. Cost is $100. The class will be limited to six. You can bring a lunch or order from the Mountain Cafe. Email me to register: Durinda@Durinda.com.

Let's Paint!

Durinda

Au Revoir, La Bonne Etoile!

Our workshop ended on Friday night with a "Vernisage" in the studio. Kippy explained that it was the night that the artists who were juried into the Salon in Paris would put the final coat of varnish on their works before the show opened to the public. It was the preview night for the patrons with a reception. Ours was lovely! The studio had tables decorated with flowers and of course, cheese, wine and champagne!

Each artist had a panel of their paintings and sketches from the workshop on display. Our watercolorists also had their sketchbooks out. Kippy and Jerome invited several guests including our chef Marc; the sculptor John-Paul; Chantal the art restoration expert; the house manager Madame DeLahye and her husband; neighbors; French friends Monique and Raymond from Gravon; artist Nicole and her husband from Villuis; and even ladies from Marnay-sur-Seine where we painted.

I was very proud of the work that each of the participants had completed from their first en plein air experience! I hope that they will all look back on this with many happy memories as I will: Living the life of an artist in France!

Check out my Picasa web photos for more workshop scenes!
Durinda