Day 5: Red Sea

Red Sea

Oil 

12 x 12

$400.00

Available

http://www.Durinda.com

Couldn't let the week slip by without doing a poppy painting!  This one started as a demo for the Impressionist oil painting class on Tuesday.  Of course the scene is from a photo taken in Provence during a workshop there last May.  Not saying that every time I go to France or Provence that I see a poppy field, but have been fortunate to find them.  Now if you are interested in finding them too, please join me for Painting in Provence, May 27, 2014 for a week of painting and discovery of that lovely region!!  Registration is open now:  http://www.frenchescapade.com.  Register before November 30 and receive a discount!  

The name for this painting came from one of my grandgirls who said it looked like a sea of red!

Also, thanks for bearing with me on this monthly painting challenge! I just found out how to post on the 30 Day blog without posting to my blog every time!  So what I will do now, is upload several paintings and send out no more than once a week.  I like my friends too, but everyday in the mail box is a little much for me.  I hope this will work!

Happy September!
Durinda

Day 4: Day's End

Day's End

oil

8 x 10

$250.00

Available

http://www.Durinda.com

There is something quite somber about going to the Chickamauga National Battlefield and seeing the cannons and monuments.  When you read the accounts of the fighting there, you can only imagine what a hard and trying time that was for so many men and their families.  The Park, as we call it, adjoins my neighborhood so I travel through it almost every day.  This painting was done for the 6th Cavalry Museum (http://www.6thcavalrymuseum.com) exhibit "Lives and Lands of the Civil War" which is part of the commemoration of the Battle at Chickamauga. I did two more paintings which are different scenes of the area.  The exhibit opens Friday, Sept 6 4:00 - 7:00 pm and lasts until Oct 26.  

A Painting A Day

Jane Painting in the Olive Grove

oil on linen

16 x 20

$400.00

Available:  http://www.Durinda.com

Trying it again!  I am setting a goal of posting a painting a day for September.  May get a little tricky since I will be traveling a lot but hopefully I can do a sketch while on the road.  This painting is from a trip to Assisi, Italy.  Jane set up to paint in the shade, yes, it was warm that day!, and I loved the way her sundress slipped off her shoulder while she was painting.  I also love the twisted shapes of the old olive trees cascading down the hillside.  Awww, something about Italy keeps drawing me back!  I will return the end of the month to paint and play at Lake Garda in the lake district and then on to Venice!  

If you are a painter or sketcher, I plan to send back photos on my blog for you to enjoy so you will feel like you are on the trip with me!  They won't all be as complicated a scene like this and I will give you a few tips along the way about composition and cropping using photographs.  It will be the next best thing to being there!

Ciao for now!

Durinda

A Feeling of Place

Luberon Valley

oil on canvas

24 x 30

$1200

Imagine Gallery of Fine Art

Franklin, TN

This is a place that you wish you could close your eyes and return to the very spot.  This is Provence.  Lush  valleys with vineyards in their spring greens and red poppy fields scattered across the fields.  To the left, the village of Gordes sits perched on the hillside like icing on a GiGi cupcake.  Below, the distant view takes you down the farm road through the fields to the rolling hills beyond.  It's just what you can imagine and more.

I guess that feeling of wanting to be in a place so peaceful is what makes this one of my favorite paintings of late.  I hope you like it too.

Close your eyes.  You're there.

Durinda

Day?

French Courtyard

20 x 16

oil on museum quality board

OK!  I know I said I was painting 30 paintings in 30 days as part of http://www Lesliesaeta.blogspot.com challenge for the month of January.  Admittedly, I am not up to 20 paintings that would be the total for today.  I have been painting nearly every day.  But due to sickness and then injury the first weeks of the month and (can I blame the rainy dark weather for some of this?)  I am just a little behind.  Hopefully now I am getting back into the swing of it.  I was able to photograph this painting today.  I have a few others who are in various stages of development that can be shot later this week including you guessed it, another poppy field!

This painting is from a tiny French village in Provence called Oppede that we visited and painted on our workshop in May.  Oppede had an interesting background with a fortified stone wall and a church that was up behind it on a hill.  Seems one of the major past times in olden days was to attack your neighboring village.  Then you had rulers who liked to tax everything and everybody.  Oppede started to fall into disrepair until artists and writers and others discovered its charm and began to restore the stone buildings and open businesses again.  I just know that I loved the architecture, blue shutters, and flowers that were there.  Thanks to Jackie with http://www.frenchescapade.com who hosted our group and took us to so many beautiful places.  And, I will give you a heads-up:  I am returning in May 2014 for another workshop and this time, an artist's retreat!  Watch for updates on my website http://www.Durinda.com  where you can sign up for my newsletter or check out my Fan Page on Facebook.  

So don't give up on me yet- I will see if I can put several photos in one post so you won't be getting something from me every day.  Then I will see if I can pin them to my Pinterest board that I made.  Wish me luck!

Hope the sun is shining where you are today!

Durinda

30 Paintings in 30 Days

Early Morning Market

20 x 16

Oil on museum quality board

 

I decided to challenge myself and sign up for the 30 Paintings in 30 Days on Leslie Saeta's blog: http://www.lesliesaeta.blogspot.com .  What was I thinking?  Today was Day One and I painted a 20 x 16!!  I'm not sure, but just looking at the others on the posts, I think most were 6 x 6 or something.  I just thought, here is an image from Provence I wanted to paint and I have ALL DAY.  Right?  Well, you know what happens when you think that!  Everyone including the cat needs you to do something for them.  Not to mention the house still needs a good cleaning from Christmas, but I won't go there.

Actually too, I changed the scene somewhat.  The cart in the front was folded material and not flowers.  Luckily I had photos of flowers in the markets that I could get ideas from. SO, it may need a little more twinkin' in a few days but that's it for Day One.

Stay tuned for the rest of the month!  I plan to travel through France and Italy with my images.  After all, I haven't painted Monet's Garden since I returned.

 

Happy New Year to you and yours.  I wish you a prosperous and healthy coming year.

 

Durinda

 



Tools of the Trade

This blog topic is courtesy of Cooper, age 3, who was snooping, uh, visiting my studio. Anytime you have visual art materials it is a magnet for young children and old men (well, that's another story)!
Coop is at the age of asking questions. "Why?" "What is it?" "What do you do with it?" His curiosity about my supplies made me wonder if others would like to know some of the tools of my trade that you might not expect.
Sure there is the usual stock of paint tubes, brushes, and canvas or paper. But a good many of my tools come from the hardware and grocery store too.

Starting with my oil stash: a bungee cord. Pictured here as I use it in the studio on my easel. Also have one that travels with me to hold towels.
My studio palette is a sheet of glass from the hardware store. To clean it I use a paint scrapper. Then there's the level. It helps with checking the level of the easel while painting and also on the camera when shooting my paintings. Hand wipes or baby wipes are a must. Of course there's pliers to open stubborn tubes. Hey, who isn't cleaning off the tube tops?? Oh yeah, that would be me.

Watercolors have a few necessities. I carry a compass and a ruler. Then for BIG mistakes I have Magic Eraser. A small spray bottle comes in handy. A bottle of alcohol (rubbing kind that is) and droppers. I won't go into what all that is for! You need to take one of my watercolor classes for that! Then there's the paint blotter made from a handywipe and towels. Looks weird, but works!

And last but not least, a mirror. My studio has windows on 3 sides and faces north, yeah, I know, lucky me! But that doesn't leave me a wall for hanging a mirror so I use a handheld one. OK, give up? It's for checking my paintings as I work, silly! You can stand back and look but seeing them in reverse will REALLY show up any boo-boos like crooked lines or wrong values. And believe me, I put it to good use!

Another post will have to be about the strange stuff I carry with me when I paint outdoors, yes, there is more!

And here's the Coopster racing by on his hot wheels.  You know his visit was short in the studio because it was time to play outside! 
Now go play!

Durinda

If you haven't already LIKED my FB fan page, please do so!!  I will be able to do giveaways and other things once I reach 400 likes:  http://www.facebook.com/#!/Durindas-Fine-Art-Fan-Page
Also, just posted about the 2013 workshop to Venice!!

Games

I don't know if you are like me, but watching the Olympics this past week has been an emotional roller coaster. You want so much for team USA to win every event and yet you know that isn't going to happen. You watch as one tiny mistake, one fraction of a second, one too many breaths or whatever causes the athlete or team to be defeated. You know that the athletes have have put in years of training, spent thousands of dollars, and missed family and childhood events to be where they are and their possibly one chance of glory.

You know this relates to art, right? I think about students in a workshop who say, "I want to paint like you." And while flattering, that isn't going to happen in three days or whatever. I have always drawn and painted. I read art books and now art articles and blogs constantly. I have spent thousands of dollars to attend workshops and classes, not including my college stints. I have tried different media and styles and substrates. I was fortunate enough to have a mentor at first in watercolor. I have been fortunate since to study with some other highly regarded painters. But it all boils down to...

Practice! Just like the athletes, you aren't going to improve or find your voice or style if you don't put time into it. If you can only paint one day per week but you DO paint every week, that's much better than little spurts here and there, a different artist's workshop every month, a different dvd, etc. Yes, you can learn something from every artist, sometimes more from the other people in the class, sometimes what NOT to do, but ultimately, you are the art producer. So once you get your feet wet so to speak and have the fundamentals, choose an artist to study whose style you really admire. Choose classes or workshops on your level, not those that allow everyone from the real beginner to the most advanced. Choose sessions with small numbers in the class, even if it costs a little more. You are kidding yourself if you think you will get attention in a class of 30 or more and some artists demand that many in their workshops.

So, set some goals for the rest of this year to paint more or to improve whatever you do. And if you get discouraged, just be thankful there isn't an Olympics for art. You have plenty of chances to create your masterpieces and you can only get better!

Go for the Gold!

Durinda

The Voice

I know you have seen or heard of the television show called "The Voice".  It has contestants who sing and are chosen by one famous singer on a panel to be in their group. Then the people sing and are eliminated over time until one person is the best "Voice" of the season.  Then they start over with another group for the next season of shows.
It came to me that being an artist is a lot like that.  Of course you knew I would relate it to art!  Every painter wants to have their own distinctive style of painting, one that is recognizable, a subject they are associated with, in other words, their "Voice".  But unlike singers who know that they must constantly practice to improve, a lot of artists think they can study with a famous artist, sometimes a weekend, a week, or in an on-going class, and then they will "copy" all they can from the teaching artist to paint just like him or her.  That way, they will be as famous, right?
Sometimes it works that way.  There are women artists who studied with and then got into relationships with successful artists who do paint a lot like them and who, with their connections, have become famous in their own right.  In the olden days, artists took on apprentices who then had to produce their own "masterpiece" to join the artisans guild or get in the Salon show to prove they had "made it".  Their work, however, did not mimic the masters necessarily. 
Everyone who has taken a class or workshop, seen a demo, watched a dvd, or worked under an established artist, will show an influence.  The real artist will continue to work on his or her own, taking what works for them from the master artist, and developing his or her own style.  Cezanne said, "I paint this way because I can't paint any other way," or something like that when he was asked about his style of painting. 
So to truly become an artist with a Voice, have something to say.  Paint because you can't not paint.  Paint because you dream paintings and see visions in your head.  Paint because you are miserable if you don't.  There is no magic number of paintings to do in a year or over time.  One hundred, two hundred, it doesn't matter.  Your voice will start to sound like you and you alone.  Develop your voice, the world is listening. 
LA! LA!LA!

Valley View

Oil on museum quality board

8 x 8

Durinda

Loose Women

Enchanted

Oil on museum quality board

6 x 6

(My first painting at home since the workshop, what do you think?)

With Leslie Saeta

Dreama T Perry

The Rowdy Corner of Southern Gals, minus Karen taking the shot

What better place to encounter loose women than Buckhead in Atlanta for a week?  I was part of Leslie Saeta and Dreama Tolle Perry's workshop.  Leslie and Dreama are two of the Daily Painters.  Leslie paints with a palette knife and Dreama works in transparent oils.  Both very different styles and especially different from mine.  What did I want to learn?  To loosen up of course!  I am wanting my oil paintings to look more like my watercolors.  I know that when I paint with watercolors, I am confident and just go for it!  I put colors where I see them and not where they necessarily are.  I can swish and splatter and work wet-in-wet.  I have felt that my oils lacked that looseness, that confident brushstroke, that surprise of color.  These two gals were about as loose as you can get, fast and furious, brave and confident.  I also found out that painting with a palette knife takes some practice.  I wasn't sure if I could hold my mouth right to get those strokes I wanted.  The benefits of knife painting?  No brush cleanup, soft edges, textured paint, clean color.  So whether or not I pursue either of the gals' styles in painting, I have told myself, "I can do this!  I can mix color, put it on, and leave it alone."  It was fun being a student for a week, observing how they each had their style of teaching, being around artists I knew already and meeting new artist friends.  Now, if you will excuse me, I have some paintings to knock out in the next couple of hours.

Paint Happy!

Durinda

First Snowfall

First Snowfall

oil on linen

10 x 8

Behind every painting is a story.  This is a section of an original oil painted last winter.  I had not been at home in years during the winter months so being here for the first snowfall was especially exciting.  I loaded up my painting gear- in my backpack so I could carry it- in search of the perfect spot to paint.  After a few steps in the snow, I decided I liked my view of our yard from the front porch!  And, the fact that I could set up my easel on a flat surface, be under the covering to block the wind, and not get my feet wet, well, hey, so much the better, right?  Just goes to prove, sometimes the best things are actually right around you, like your home, your family, and your friends. 

Wishing you and yours a very Merry Christmas and a Healthy and Prosperous New Year!

Cheers!

Durinda

Summer Treats

Small Treasures

Oil on linen

10 x 8

Brother and Sister

oil on museum quality board
6 x 6

Available

I don't know about you, but it has been really hot here this summer. Seriously, really hot!
My summer teaching stints are over for a now, four weeks of leading teacher professional development in parts of Alabama. It was really hot there too! So I am back in the studio and painting all kinds of happy memories from beaches. Most include children at the water's edge or people enjoying a lazy day of sun and reading. I've been to beaches from coastal Maine through the Carolinas to Key West and up the panhandle from Florida through Mississippi and Louisiana. I've been to the Pacific coast and twice to Hawaii. I have lots of beach memories! The painting of the little tow headed boy will be available for purchase at Tanner Hill Gallery in Chattanooga this Thursday night at the Arts & Education Council's annual fundraiser. The theme this year is "Found" and worked out perfectly for this painting in my series. I am posting the rest on my website: www.Durinda.com under the Coastal category. Hope these little pieces of beach memories remind you of a good time at the beach too. If you have a photo or a memory you would like painted, let me know! I am in the studio for the reminder of the summer!!

Stay cool!

Durinda

Sisterhood of the Traveling Paints

D & Barbara

Sandra, Susie, D, Ruth

D, Phyllis, Diane

This blog today is dedicated to the women painters I have met over the years. These are not your ordinary, paint in the studio and don't get dirty painters. They are the ones who paint on-site or outdoors in all kinds of weather and all kinds of conditions. We are Sisters of the Traveling Paints.
I have always drawn and painted. I can't remember not doing it. I carried pieces of paper outside as a child and drew what I saw: flowers, bugs, trees. I didn't know it was called "plein air". It was just something you did because you had to. You wanted to capture what attracted you on paper. Save it for looking at later. It was fun.

Today I count myself very lucky to have crossed paths with lots of women who share the same passion for painting outside. They come from many different backgrounds, many different locations, and many different personalities. Some are very representational painters, some are nearly abstract painters. Yet we all paint for basically the same reason: we have to. Along the way, I have come to know a few of these sisters and their families more in depth. It becomes like a network of friends that you hear from occasionally, but you think about more often than that. When one suffers a sickness or a loss, you feel it too. You know that while art is very important in their lives, so is their family. You also rejoice in their victories- awards, sales, new galleries, etc. And in the achievements or expansions of their families as well.

So, here's to you, my fellow Sisters of the Traveling Paints. You have made my journey into painting outdoors a lot more enjoyable by sharing it with you. A few of my oldest paint buddies:

Susie Covert, Bradenton, FL; Barbara Perriotti, Ormand Beach, FL; Diane Johnson, Cary, NC; Linda Blondheim, High Springs, FL; Ruth Cox, Myrtle Beach, S. C.; Phyllis Franklin, Thomaston, GA; Carly Hardy, Darien, GA; Marsha Savage, Smryna, GA; Sandra Babb, Ringgold, GA; Terry Mason, Sarasota, FL; and the many new sisters I have met: Jeanne Salucci, Long Island, NY;Priscilla Watson, Aptos, CA;Barbara Davis, Montgomery, AL; Barrett Edwards, Naples, FL; and others. Thanks for sharing your advice and your friendship.

May you always have your palette ready,
Durinda

Life Springs

Life Springs

oil on linen

12 x 9

private collection

Paintings tell stories. Some paintings tell us everything. Others make us guess. Still others lead us to come up with our own story. This painting was done last week during the Callaway Paintout and Sale at Callaway Gardens, Pine Mountain, Georgia. Only this particular painting wasn't done at Callaway at all. It was painted on an estate in LaGrange, Georgia. LaGrange is a few miles west of Pine Mountain. But this place was more than a few miles apart in character from Pine Mountain. It was an ocean apart.

The artists in the paintout were divided up into two per team and shuttled to nearby cities to paint in private gardens on Tuesday. I was partnered with Robin Roberts from Ohio. We were met by a gentleman who drove us out to his castle, estate, er home for the day. Now imagine the sites and landscape along the way. LaGrange is a pretty enough town. It has a nice college there and lots of churches in the downtown area. The surrounding landscape is humble houses, small farms, and a few mobile homes sprinkled now and then. We drove through a large stone gated drive and down a long narrow road. Then before us appeared this "mini" Biltmore house. At least 3 stories with a English tudor styling that rivaled anything you would see on the Hudson or Long Island. Vast green lawns stretched forever with stacked stone walls lining them.

I expected Giles or Jeeves to come out and take our humble backpacks crammed with our supplies. Instead, we were shown around by the owner and then set up to paint where we pleased. I love painting architecture. But believe me, I was way too intimated by this place to paint it. No way. So I found a humble smokehouse in the back of a small (comparatively) perennial garden to paint. It was one of the remains of the plantation that once occupied this land.

After lunch, I went up the hill to this spot in the painting: a foundation and chimney left by a former dwelling on the property. The new owner had cleared the area, there were wrought iron chairs and tables nearby and had planted this native azalea. What appealed to me was the way the ruins were so cared for and left as they were. Certainly the owner could have razed the stones and naturalized the area. But here they were: a nod to the inhabitants of years gone by. A slave quarters? Tenant farmers? Gardeners house? And before it, a brightly lit orange azalea that seemed to say life goes on. So when you think about it, we all just pass through this earth. We create dwellings, clear the land, and plant our gardens. Nature really owns it. I think that's why God gave us springtime to remind us.

Happy Earth Day on Friday and Happy Easter to you and yours,

Christ died and rose again. Life Springs Eternal.

Durinda

The Diva Dilemma

Spring Divas

oil on linen

12 x 9

Available: www.Durinda.com

The Diva Dilemma. If you are a painter, you have surely faced it at least once in your painting career. If you ever sang in a chorus or acted in a play, you faced it. If you even like to decorate rooms, you have probably faced it too. What is it?

It is having more than one Diva in a situation. Like having to decorate a room and you say, "Well, here's a fireplace, a good focal point, let's put seating facing it." And then you see the window in the same room with the great view. "This is such a good view, let's put seating facing it." And then you have two Divas. When you enter the room, where do you face? The fireplace or the window? Maybe that doesn't bother you?

Have you ever tried to watch two performers on stage? In the olden days, Sonny and Cher? Hmm, who was the Diva? Pretty obvious there. You won't see two separate spotlights.

My watercolor mentor was Wayne Wu, AWS. He used to tell us, "There can only be one star. Everyone else is the supporting cast." In other words, have a focal point in your composition. There are several ways to create a central focus and they are not all so obvious. In a floral arrangement, choose one flower or a cluster of flowers to give more color and more detail. Play down the rest. We know they are flowers, let them be cast members. The same for a landscape. Where do you want the viewer to look? Try not to confuse us by having detail on everything unless you are Grandma Moses. Or as Jack Beal says, "Fruit basket painting."

I think the same applies to our appearance. Do you want people to notice your hair, your eyes, your clothes, or your jewelry? Play up your best feature and let the others support it. Wear clothes that compliment your eyes or hair, but if you want us to look at your clothes, fine. Wear something that stands out there. But don't be surprised if people say, "I love your outfit." and not, "Gee, you look great today."

We want viewers to look at our artwork and say,"I love this painting." and not "Gee, you did a good job with all this detail. It looks JUST like a photograph." Get it?

Now, go find your Diva!

From the only Diva in this household,

Durinda

Fudge

The Painting Lesson

Jack Beal

collection: The Hunter Museum of Art, Chattanooga

The prior post was on Twinkies. Today I wanted to write about Fudge. By now you know I am not talking about sweets, am I? I have been sending my current painting students an art quote every week (when I think about it). I have many written and filed and a few books on them too. I love reading bios of artists and trying to picture myself interviewing them. What would I ask? What would they respond? I do think I know of one thing that most would admit:

Fudging.

I know that as a young artist and later as an instructor with students, that most if not all people believe that an artist just goes up to a blank canvas and voila! paints a masterpiece. It just flows out of their head. Well, that can happen sometimes I suppose. But I believe every artist has a purpose in their painting whether it is to paint some one's portrait, a place they like, objects they chose, or an expression or feeling they are having. If not, why paint? The real difference in being a "painter" verses an "artist" comes with the interpretation. Just copying exactly what's there will make you a painter. Making changes that create a better painting, makes you an artist. I have been fortunate enough to study under some great artists. Jack Beal says, "Lie, cheat, steal." What is he talking about? He means that painting from life, either a landscape or a group of figures will not be perfect in every way. Nature cannot compose your painting. There may be a clump of even number trees, a telephone pole in the middle of a scene, etc. So your job as an artist is to make use of what's there in creating a work of art.

"The artist does not draw what he sees, but what he must make others see." -E. Degas

So it is not enough to "see- put" as Jack Beal used to comment about some artists who copy nature or photographs. This is where the Fudging comes in. You move a tree, you add a path, you darken, you lighten, you change the colors. You create where you want the viewers to look first, where their eyes should travel and where they should stop.

"Art is a lie that makes us realize the truth." -Picasso

I don't know about you, but I try not to lie about things. I will, however, fudge the truth sometimes in painting. I think it would make Jack Beal proud.

Comments? Questions? Would love to hear from you about how artists create our own "truths".

Twinkies

French Cottage

oil on canvas

20 x 24

Twinkies? Yes, but not the creme filled cakes you are thinking about. Hmmm, that is a nice thought! I call my paintings that I "revisit" Twinkies. They were close to being finished. I hung them some place where I could sneak up on them and keep looking. This painting of the French Cottage went pretty quickly. I knew what I was going to paint. I had painted a small version on site so I was familiar with the house. But, working in the studio on a larger canvas, the temptation is to copy the photograph pretty closely. Tempting...Tempting.., just like the creme filled cakes.

And so it was hung and it waited.

When I first began painting en plein air or outdoors, I thought that every outdoor painting needed to look JUST like the scene and had to be completed on site. 100%. Wow, what pressure! Then I started reading and looking and listening to other plein air artists. "Your job is to create a beautiful painting. Not copy just what's there." "Nature isn't perfect. You are the creator. Move it, change it, and make it your own. " "Get inspired by nature. Paint what you feel." Finally, I got it! Compose, rearrange, change, but come away with the essence of what attracted you in the first place. You might have to lighten something, smudge something, even eliminate something when you get back into the studio.

Working in the studio, you have the luxury of time. No disappearing light, no dancing shadows, or weather conditions to make you paint like a madman. But, the photograph should only be an inspiration too. If the painting needs something, add it. If it needs something removed, do it!
My cottage scene needed something. I finally realized what it was. Why did I like it in the first place? I liked the flowers and vines growing around it. All I had to do was add more. Twinked!

In the oil classes last week I talked about using a mirror to view your work. It helps to see lines and angles that are not correct, shapes that repeat too often, and other compositional faux pas. But sometimes, all it takes is a little time away. Let the painting tell you what it wants. Put away the photo or the on site sketch. Make a painting that satisfies you and hopefully the viewers.

I am thinking spring, aren't you? And maybe one of those sweet creamy little cakes?

Happy Valentine's to you and those you love.

Durinda

Super Sunday Sale

Midtown Gallery

1912 Broadway

Nashville, TN

Wildflowers I

oil on board

6 x 6

available at http://www.midtowngallery.com/

Looking outdoors at my back yard right now looks nothing like the images I am creating inside. Still trying to keep my spirits up during the winter doldrums, I am painting a series of wildflowers on hillsides and also marshes with "happy clouds". The small square format is perfect for these scenes. The hillsides are based on my Tuscany travels where I have painted. The marshes are images from different locales around Florida, Georgia, and the Carolinas. One thing I tell my students is to choose your subject in a landscape. Is it the ground or is it the sky? Don't divide your composition by painting the horizon line right in the middle and developing details in both areas. This is a fun (two) series for me and I love the wide floater frames I am using on them. The new paintings are available at Midtown Gallery in Nashville where I am now represented. Midtown Gallery is located on Broadway near Vanderbilt University. I used to be in Local Color Gallery in the same location a few years ago and am very excited to be back showing in the Nashville area. I hope you will drop by Midtown and see my paintings. For Super Bowl Sunday, Gary Tisdale the owner does something pretty unique: he has a Super Art Sale from 1:00 - 4:00 pm. It's a great time to get new works for your collection at great prices. Tell Gary you know me!

Also, I am now a part of Daily Painters of Georgia and you can follow our blog: http://www.dailypaintersofgeorgia.blogspot.com/ I am hoping it will motivate me to shoot, edit, and post my paintings more often. I wish I could say that I don't mind that part of the art trade, but I dread it. So I usually wait until I have several new paintings to shoot before I set things up. This will be an experiment to see if I can do this!

Have a Super Sunday no matter whose team wins today!

Durinda

Housebound and Happy

WIP in studio

If you are not in the southeast region, our big news here this week is the Big Snow. Over 8 inches at my house. Unusual for our area, especially since we had about 4 inches on Christmas Day. Now for you Yanks out there who get snow all the time and just get out and go in it, we don't have equipment to clear secondary roads. Our 2 or 3 salt trucks work the main interstates. The rest of us are on our own. So, pretty much our whole city is shut down until the snow melts. No school, even the malls were closed yesterday. And yes, I am staying home this winter instead of being at the beach. My S.A.D. has not kicked in yet. I am actually enjoying looking at the snow.

So, how do you paint snow? My personal preference is a composition with some color in it whether it is blue or violet cast shadows or something architectural like a stone wall or corner of a house. If you are unsure of composing landscapes, use your viewfinder in your camera. I will be watching the light today from the sunroom for cast shadows. Right now, the whole scene is white. The sky is the same color as the ground. I already have a view in mind that I want to paint. I will have my supplies ready in case the sun cooperates with me.

If you are new to painting, use the quiet time to organize your materials. Put your name on your things. Try out your paints by making a color chart and writing the names on it. Email me for a copy of a color wheel you can make. I always find things to do in the studio. I spent a lot of time Sunday cleaning my palette. If you have old magazines, go through them and rip out things you like (scenery, interiors, faces, etc) to start a resource file. It's nice to have a photo of a certain thing if you are painting something similar. I keep flower catalogs to help with painting gardens or flowers in pots. If you are not a painter, you can keep a file too of things you like and would want a painting of some day. It is much easier for the artist to visualize what you have in mind if you can show an example. It doesn't have to be perfect. There is always some research in painting a commission. Even giving a color swatch torn out will help.
In the meantime, I will be snug and warm in my sunroom studio painting flowers I bought Sunday. I'll keep an eye out for the sun to peek through. It's kind of like, "when the moment is right" commercial. When it happens, be ready (to paint, of course).
Take time to enjoy your view!
If you would like to continue to receive this blog, click the title and go to the main page where you can subscribe. The blog is a written commentary on what and where I am painting or traveling. My newsletter features a recent painting and/or updates on shows or paintouts. You can subscribe to it on http://www.durinda.com/email-newsletter. I welcome your comments or suggestions about what you would like to see in the blog. So let me know!

Durinda

Sending Holiday Greetings Your Way

Tuscan Poms and Grapes

Oil on linen

2010

It has been my tradition to paint or draw my own holiday card image since I was in college. Some years I have ideas in the summer months and have the cards at the printer's in October. Most years I am painting at the last minute and the printer worries that the cards won't be ready Christmas week. As with most people I know, I don't send out as many cards as I once did. I am sure most people think that sending cards will become a thing of the past since so many send email messages now. I still believe that people enjoy receiving a "hard copy" of a greeting. You can look at them more than once, they don't take up memory space on your computer, and they can be shared with others without having to type or click a key. I like seeing the family photos that many send.

My image this year is from a table setting in Tuscany. While going through my photographs to find something to paint, I came across my shot of the bowl of fruit. Very simple, and yet I immediately thought of the symbolism of the pomegranate for abundance, fertility, and good luck. It has been used for centuries as a decoration in many cultures especially Mediterranean countries. All this to say, I wish for you and your family a year ahead of prosperity, happiness, and peacefulness in your heart. If I can be of any service to you this year, please contact me. I cherish the relationship I have with you.

Remember that there would not Christmas without Christ.

Durinda