Monet, Monet!

Jeanne and Pat on the Japanese Bridge in Monet's Garden

Yes, it was raining the day we went to Giverny to see Monet's House and Garden.  And, it wasn't an easy trip.  First, we left Paris on the Metro (their subway) to the train station.  Then we took the train to Vernon, a town next to Giverny because the train doesn't go to Giverny.  I think Monet chose this town on purpose for that reason!  So then you catch a bus from Vernon to get there.  You could take a cab, but then you would have to make arrangements for a pick-up since they don't hang around in Giverny.  Finally we are there in every painter's paradise!  I have been there and painted there in the past, but never saw the iris and the wisteria in bloom.  Amazing!  Even in the rain, the colors were spectacular!  

I just happened to catch ONE of the school groups having a group photo.  They looked to be 4 or 5 yrs old.  There were hordes of school children there!  I felt sad that it was raining on their field day but very pleased that their teachers wanted to bring the children to see the home and gardens of an artist! 
Monet loved children.  After his first wife Camille died, he and Alice who became his second wife, raised his two sons and her children in Giverny.  He painted them in the gardens.  I like to imagine the family living there.  The kitchen is my favorite room.  It is tiled in blue and white and is large and cheery.  I can see the children coming and going while Alice cooks, Monet outside painting with Blanche, one of his stepdaughters, rolling a wheelbarrow filled with canvases for him.  She loved to paint too! 
I just want to say, "Thank you, Mr. Monet, for devoting your life to painting and to gardening so that generations to come can enjoy your art and your home."  And thanks to the Claude Monet Foundation for restoring the properties and maintaining them.  If you like Monet's paintings, I hope that you have a chance to visit Giverny and see the places in the paintings!

That reminds me, I need to water my flowers!
Au Revoir!

Durinda

 

Inspiration

Golden Moment

Oil on linen

20 x 24

Available

It is difficult for me to understand artists who have "creativity" blocks.  They can't think of anything they want to paint.  I am sure this must happen to some people once in a while sort of like writer's block?  I am not one of those people.  As part of my ADD, I can get over-stimulated with visual images.  I can see paintings nearly every place I look.  I am constantly seeing compositions and thinking about how I would paint something.  I name colors in my head and how to mix them.  I am not a good traveling companion.  Instead of navigating, I am looking out the window and painting in my head.  Do other artists do this?  Surely some do! 

So how do you become inspired to actually go from looking at something or seeing something in your head to putting in down on canvas?  First, I think of painting as a visual language.  What is it you want to communicate to others?  You will not be standing next to that painting to explain it, what is it you want to say about the subject?  It is about the color scheme, the mood, the atmosphere, or the light?  Is it the tilt of someones head, the expression of a child, the texture of a cloth?  Then choose your tools:  the medium, the colors, the brushstrokes.  In my recent workshop "All About Color" one student said, "I have learned to Think More and Paint Less."  Hmmm, perhaps that is something we all need to do.  Like thinking before speaking.  Make your comments count.  Your inspiration is waiting!

This weekend, March 23 - 25, I will be painting en plein air at Walt Disneyworld's Flower and Garden Festival 2012.  It takes place in Epcot every spring and I am always so thrilled to take part.  I will be in "Italy".  This is my seventh year to be invited?  I'll be posting on my FB page: DurindaCheek and on my Fan Page:  Durinda'sFineArtFanPage so hope you can join me and see my inspirations for this week!

Ciao for now, ya'll!

Durinda

Mix and Mingle

God's Gift to us this week

Showing my mini-tonalist painting in progress

Deborah Paris at M Gallery

Silver teapot with fruit ala Abgott

With Anne Abgott in Sarasota

No, this is not a social get together invitation. This is the concept behind Anne Abgott's watercolor paintings. It is so much fun to discover the local artists in Florida. Anne teaches one day workshops all over the place. I first saw her work in the Florida Suncoast Watercolor Show at Art Center Manatee. The show was up with the traveling American Watercolor Show. Anne is a recent signature member of the National Watercolor Society. She has a book called Daring Color. So when she had an opening for a one day workshop painting silver and fruit, I signed up! I have been painting scenes from Italy in watercolor lately and was curious how I could use the transparent palette that Anne used to get those rich darks in my shadows.

Then came the opportunity to study the luminous landscape with Deborah Paris for a week. Deborah is originally from Florida and now is a Texan. She "went to the dark side" a few years ago switching from plein air pastels for which she was well established, to painting Tonalism landscapes in her studio. Tonalist painters include Inness, Turner, and Whistler. Now why was I interested in Tonalism? Again, it relates to my collection of imagery that I someday want to paint. I have these images of sunsets and sunrises, storm clouds, and fog from Venice to Ringgold that I just wasn't sure where to start. Ah, using the layering of glazes, I just might be able to obtain that subtle shift in color that I was seeing. Deborah has a real emotional connection to her subject matter that comes through for the viewer. It was a lot of work, a lot of art talk, and good company for a week.

I know it appears as if I am a workshop junkie this winter! I have happened upon a few artists that I have interest in their techniques. It is the immature artist who ends up copying the style and subject matter of another more well known artist. Who wants to be an art clone? As an instructor myself, I always pick up ideas about teaching, new materials, books they recommend, and colors that I haven't tried. Sometimes it turns out I learn what NOT to do! But mostly I have great respect for artists who share their knowledge with patience. It is also good to be a student again once in a while. It reminds me to slow down and remember to explain things as I go.

It isn't a Gift, if it isn't shared.

Now, go share with someone and Happy Valentine's Day to all you lovers of art!

Durinda

O Canada!

Imagine setting up your easel to paint in a sunken garden with masses of spring flowers and weeping willows cascading over a pond running under a stone bridge. You hear the Canadian national anthem "O Canada" being sung by the wait staff of a restaurant nearby where whiffs of grilled steak permeates the air. It is a comfortable 70 degrees in late March. Life is good!

My adventure in the Artists in the Gardens weekend of Epcot was wonderful. Despite the windy day we had on Saturday, the early Sunday morning rain, and the lack of shade in the afternoons, I had a difficult time choosing what to paint. When I first received my assignment, I thought, "What's in Canada that I would want to paint?" Little did I know that the area is based on the Butchart Gardens in British Columbia. The original sunken gardens were developed in a limestone quarry. Of course the gardens and grass in Epcot were "Mickey" perfect. An ideal setting for a plein air artist, if you can paint and talk to mulitudes of people at the same time. :>) That is really the fun of it all, meeting the guests and talking about your art and art in general. Children are especially curious and ask great questions. I was fortunate to have four paintings go to new owners. I even painted under shelter Sunday when it was pouring down rain!

My "art buds" this year in Canada were Dorothy Gardiner from St Pete and Linda Pence from Gainesville, FL. Both are wonderful artists and old pros at painting en plein air at Epcot. We shared a great host, D.J. Gibson, who normally works in management. He helped with our setups and getting us where we needed to be on time. The three days went quickly and I am so glad that we were able to paint through Sunday this year. Last year, we had stormy weather that called off Sunday afternoon painting. If you have a chance, you should definitely go to WDW during the flower festival months of April and May. You won't be disappointed!

For you painters, I tried out my new Anderson easel that swivels. It has telescoping legs like my Soltek. I think it weighs 7 or 8 pounds and is very easy to put up and carry. It worked great for my watercolors this time because I could lower it and sit down to work, stand and paint upright, or swivel it flat to add detail. The only problem was adding an umbrella. I will have to work on that! I worked on Stratmore's Gemini paper which has a softer tooth than Arches. It took the washes well and worked fine for outdoors where you usually have to really pile on the paint to keep it from disappearing.

Wishing you a season of beauty and good scents!

Durinda