Day 5: Red Sea

Red Sea

Oil 

12 x 12

$400.00

Available

http://www.Durinda.com

Couldn't let the week slip by without doing a poppy painting!  This one started as a demo for the Impressionist oil painting class on Tuesday.  Of course the scene is from a photo taken in Provence during a workshop there last May.  Not saying that every time I go to France or Provence that I see a poppy field, but have been fortunate to find them.  Now if you are interested in finding them too, please join me for Painting in Provence, May 27, 2014 for a week of painting and discovery of that lovely region!!  Registration is open now:  http://www.frenchescapade.com.  Register before November 30 and receive a discount!  

The name for this painting came from one of my grandgirls who said it looked like a sea of red!

Also, thanks for bearing with me on this monthly painting challenge! I just found out how to post on the 30 Day blog without posting to my blog every time!  So what I will do now, is upload several paintings and send out no more than once a week.  I like my friends too, but everyday in the mail box is a little much for me.  I hope this will work!

Happy September!
Durinda

Day 3: The Baudy Courtyard

Courtyard in France

oil

12 x 12

$400.00

Available

http://www.Durinda.com

For the third day of the 30 Day challenge:  This is a scene from the Baudy Hotel in Giverny, France.  I painted there a few years back while staying in the hotel just up the street from Monet's Garden and Home.  This is where the American artists stayed who had traveled to France in hopes of meeting and painting with Monet.  Today there is a restaurant in part.  I'm not sure if they lease rooms still or not, but it has a beautiful courtyard in the back and a studio where the artists used to work.  Watch for a few more paintings from this wonderful place!

A Painting A Day

Jane Painting in the Olive Grove

oil on linen

16 x 20

$400.00

Available:  http://www.Durinda.com

Trying it again!  I am setting a goal of posting a painting a day for September.  May get a little tricky since I will be traveling a lot but hopefully I can do a sketch while on the road.  This painting is from a trip to Assisi, Italy.  Jane set up to paint in the shade, yes, it was warm that day!, and I loved the way her sundress slipped off her shoulder while she was painting.  I also love the twisted shapes of the old olive trees cascading down the hillside.  Awww, something about Italy keeps drawing me back!  I will return the end of the month to paint and play at Lake Garda in the lake district and then on to Venice!  

If you are a painter or sketcher, I plan to send back photos on my blog for you to enjoy so you will feel like you are on the trip with me!  They won't all be as complicated a scene like this and I will give you a few tips along the way about composition and cropping using photographs.  It will be the next best thing to being there!

Ciao for now!

Durinda

Day?

French Courtyard

20 x 16

oil on museum quality board

OK!  I know I said I was painting 30 paintings in 30 days as part of http://www Lesliesaeta.blogspot.com challenge for the month of January.  Admittedly, I am not up to 20 paintings that would be the total for today.  I have been painting nearly every day.  But due to sickness and then injury the first weeks of the month and (can I blame the rainy dark weather for some of this?)  I am just a little behind.  Hopefully now I am getting back into the swing of it.  I was able to photograph this painting today.  I have a few others who are in various stages of development that can be shot later this week including you guessed it, another poppy field!

This painting is from a tiny French village in Provence called Oppede that we visited and painted on our workshop in May.  Oppede had an interesting background with a fortified stone wall and a church that was up behind it on a hill.  Seems one of the major past times in olden days was to attack your neighboring village.  Then you had rulers who liked to tax everything and everybody.  Oppede started to fall into disrepair until artists and writers and others discovered its charm and began to restore the stone buildings and open businesses again.  I just know that I loved the architecture, blue shutters, and flowers that were there.  Thanks to Jackie with http://www.frenchescapade.com who hosted our group and took us to so many beautiful places.  And, I will give you a heads-up:  I am returning in May 2014 for another workshop and this time, an artist's retreat!  Watch for updates on my website http://www.Durinda.com  where you can sign up for my newsletter or check out my Fan Page on Facebook.  

So don't give up on me yet- I will see if I can put several photos in one post so you won't be getting something from me every day.  Then I will see if I can pin them to my Pinterest board that I made.  Wish me luck!

Hope the sun is shining where you are today!

Durinda

30 Paintings in 30 Days

Early Morning Market

20 x 16

Oil on museum quality board

 

I decided to challenge myself and sign up for the 30 Paintings in 30 Days on Leslie Saeta's blog: http://www.lesliesaeta.blogspot.com .  What was I thinking?  Today was Day One and I painted a 20 x 16!!  I'm not sure, but just looking at the others on the posts, I think most were 6 x 6 or something.  I just thought, here is an image from Provence I wanted to paint and I have ALL DAY.  Right?  Well, you know what happens when you think that!  Everyone including the cat needs you to do something for them.  Not to mention the house still needs a good cleaning from Christmas, but I won't go there.

Actually too, I changed the scene somewhat.  The cart in the front was folded material and not flowers.  Luckily I had photos of flowers in the markets that I could get ideas from. SO, it may need a little more twinkin' in a few days but that's it for Day One.

Stay tuned for the rest of the month!  I plan to travel through France and Italy with my images.  After all, I haven't painted Monet's Garden since I returned.

 

Happy New Year to you and yours.  I wish you a prosperous and healthy coming year.

 

Durinda

 



The Secret

I often get asked, "What is plein air?"  I know it sounds like some Secret Code that artists use.  True, it isn't something you hear everyday.  It means in the open air.  It's a term we artists use when we are referring to painting outdoors.  And, not sure why we westerners insist on using the French term.  We don't use other French terms that much.  I guess it relates back to the Americans who went to France to learn the Impressionism style of painting  in the late 1800's and early 1900's.  They had heard or even seen paintings by these French artists thanks to Mary Cassatt bringing them over.  This was something new as far as art styles.  Loose choppy brushstrokes, high key color palettes, and painted outdoors? 
The French Impressionists weren't the ones who invented painting outdoors.  Certainly artists had been carrying sketchbooks outside for centuries.  And the British would tell you they were watercoloring outdoors long before Monet painted his "Impression: Sunrise".  It just happened that oil paints could now be stored in tubes as opposed to being handground in the studio where it was stored in pots.  Adding to that, artists were now painting on linen canvas which could be stretched over supports making it lots lighter than painting on primed wood.  Monet even used a boat as a floating studio to paint the populars next to the river bank. 

Painting Aspens at Lake Tahoe

Plein air painting can be as rugged a sport as you want to make it.  Some artists hike miles in the woods and mountains with their supplies on their backs just to capture their scenes.  You can paint in public or not.  You can carry large canvases or very small.  There just isn't a right or wrong way.  So if you see an artist outside set up with their easel and paints, you can say, "Good luck with your plein air painting." And they will know that you know the Secret.

Summer Treats

Small Treasures

Oil on linen

10 x 8

Brother and Sister

oil on museum quality board
6 x 6

Available

I don't know about you, but it has been really hot here this summer. Seriously, really hot!
My summer teaching stints are over for a now, four weeks of leading teacher professional development in parts of Alabama. It was really hot there too! So I am back in the studio and painting all kinds of happy memories from beaches. Most include children at the water's edge or people enjoying a lazy day of sun and reading. I've been to beaches from coastal Maine through the Carolinas to Key West and up the panhandle from Florida through Mississippi and Louisiana. I've been to the Pacific coast and twice to Hawaii. I have lots of beach memories! The painting of the little tow headed boy will be available for purchase at Tanner Hill Gallery in Chattanooga this Thursday night at the Arts & Education Council's annual fundraiser. The theme this year is "Found" and worked out perfectly for this painting in my series. I am posting the rest on my website: www.Durinda.com under the Coastal category. Hope these little pieces of beach memories remind you of a good time at the beach too. If you have a photo or a memory you would like painted, let me know! I am in the studio for the reminder of the summer!!

Stay cool!

Durinda

Twinkies

French Cottage

oil on canvas

20 x 24

Twinkies? Yes, but not the creme filled cakes you are thinking about. Hmmm, that is a nice thought! I call my paintings that I "revisit" Twinkies. They were close to being finished. I hung them some place where I could sneak up on them and keep looking. This painting of the French Cottage went pretty quickly. I knew what I was going to paint. I had painted a small version on site so I was familiar with the house. But, working in the studio on a larger canvas, the temptation is to copy the photograph pretty closely. Tempting...Tempting.., just like the creme filled cakes.

And so it was hung and it waited.

When I first began painting en plein air or outdoors, I thought that every outdoor painting needed to look JUST like the scene and had to be completed on site. 100%. Wow, what pressure! Then I started reading and looking and listening to other plein air artists. "Your job is to create a beautiful painting. Not copy just what's there." "Nature isn't perfect. You are the creator. Move it, change it, and make it your own. " "Get inspired by nature. Paint what you feel." Finally, I got it! Compose, rearrange, change, but come away with the essence of what attracted you in the first place. You might have to lighten something, smudge something, even eliminate something when you get back into the studio.

Working in the studio, you have the luxury of time. No disappearing light, no dancing shadows, or weather conditions to make you paint like a madman. But, the photograph should only be an inspiration too. If the painting needs something, add it. If it needs something removed, do it!
My cottage scene needed something. I finally realized what it was. Why did I like it in the first place? I liked the flowers and vines growing around it. All I had to do was add more. Twinked!

In the oil classes last week I talked about using a mirror to view your work. It helps to see lines and angles that are not correct, shapes that repeat too often, and other compositional faux pas. But sometimes, all it takes is a little time away. Let the painting tell you what it wants. Put away the photo or the on site sketch. Make a painting that satisfies you and hopefully the viewers.

I am thinking spring, aren't you? And maybe one of those sweet creamy little cakes?

Happy Valentine's to you and those you love.

Durinda