A LOVER-LY WEEKEND

My Mickey Award shot by my 5 yr old grandgirl

Blossom showing my art set up

Front: Barbara Perrotti, Dorothy Gardiner :Back Durinda, and Diane Johnson
at the Artists' Reception on Thursday night

English Doorway, oil on canvas, Sold















The Artists in the Gardens weekend was LOVERLY! The gardens were awesome and that is quite a feat given the cold weather that Florida has had this winter. I enjoyed seeing my art friends at the reception and lunches as well as painting in the "United Kingdom". The Epcot cast members take great care of us, providing water and sodas throughout the day. Friday and Saturday the weather was perfect and then Sunday it clouded up and poured later in the afternoon. We were packed up at lunchtime and didn't go back on the streets. I had a few sales, which is always an added bonus, and talked to some really interesting guests. The children are the most fun. I had two young boys who came right up to me and said, "I'm an artist too!" I just loved that!

If you get the chance, visit Epcot during the International Flower and Garden Festival in the spring. The plein air artists are there only the one weekend, but there is lots going on throughout the festival. I am so honored to have taken part in my fourth year and hoping for a return in 2011!

Now, go play in your yard!
Durinda

On the Woad Again....

In the UK gardens at Epcot in '08

My husband thinks the neighbors don't know I live here, it seems like I have been gone more than I have been home this year (true). We are leaving today for Disneyworld and the Artists in the Gardens weekend. Each spring Epcot hosts the International Flower and Garden Festival with all kinds of gardening exhibits and beautiful flowers in the World Showcase. This is my fourth year to be invited to paint plein air in the park. There will be sixteen artists scattered through the countries painting on location. It is always a fun weekend meeting guests and visitors in the park and getting to paint in such a wonderful location. The UK has the English cottages and gardens full of color. Last year I painted in Canada and it was equally as pretty. I can't wait to see what the horicultural department has done this year with the landscaping.

For your artists, I will be taking my Anderson easel. It has a swivel back that will lay flat because I will be taking my watercolors. I can either stand and paint or sit by adjusting the height. I will be using my transparent colors - no cadimums or earth colors. My Art comber is going again too. It holds everything in the basket and has the chair that pulls out. You never know when a quick rain will pop up in FL and it is good to have a place where everything can go plus it has wheels so it is easy to transport. A good sunhat, sunscreen, and I am ready to woll- eh, roll!

Wishing you a magical week!

Durinda

Sharing Words of Wisdom

David Leffel with his portrait demo

I had the opportunity to attend the David Leffel workshop on Longboat Key in February. This is my second workshop with David. There were six of us who were returning students. Needless to say, the level of artwork from the students was very high. I guess every field has its superstars and groupies. I read where Einstein had a following. David certainly has his groupies. He turned around once while helping another person and saw me- notebook in hand writing down his every word. I learn so much just from listening to him explain the method of painting. My favorite quote of his is "Painting is a very logical way to putting down what you see." Yes, he makes it sound and look so easy. We all know that it isn't, but we strive to get better.

This year David amazed us by doing a self-portrait. He painted most of it on Thursday night with an audience after teaching all day. I thought it was pretty amazing then. When he worked on it a little the next day in class, it was truly amazing. Just little twinks of brushwork here and there and it really came to life. David has a new book of his many self-portraits. He encouraged all of us to do self-portraits yearly. I haven't done one in years. Something else to strive for. I think I need a few more lifetimes to get everything in I want to paint and do, don't you?

Now, to get ready for the Artists in the Gardens weekend in Disneyworld next week!

Durinda

Mix and Mingle

God's Gift to us this week

Showing my mini-tonalist painting in progress

Deborah Paris at M Gallery

Silver teapot with fruit ala Abgott

With Anne Abgott in Sarasota

No, this is not a social get together invitation. This is the concept behind Anne Abgott's watercolor paintings. It is so much fun to discover the local artists in Florida. Anne teaches one day workshops all over the place. I first saw her work in the Florida Suncoast Watercolor Show at Art Center Manatee. The show was up with the traveling American Watercolor Show. Anne is a recent signature member of the National Watercolor Society. She has a book called Daring Color. So when she had an opening for a one day workshop painting silver and fruit, I signed up! I have been painting scenes from Italy in watercolor lately and was curious how I could use the transparent palette that Anne used to get those rich darks in my shadows.

Then came the opportunity to study the luminous landscape with Deborah Paris for a week. Deborah is originally from Florida and now is a Texan. She "went to the dark side" a few years ago switching from plein air pastels for which she was well established, to painting Tonalism landscapes in her studio. Tonalist painters include Inness, Turner, and Whistler. Now why was I interested in Tonalism? Again, it relates to my collection of imagery that I someday want to paint. I have these images of sunsets and sunrises, storm clouds, and fog from Venice to Ringgold that I just wasn't sure where to start. Ah, using the layering of glazes, I just might be able to obtain that subtle shift in color that I was seeing. Deborah has a real emotional connection to her subject matter that comes through for the viewer. It was a lot of work, a lot of art talk, and good company for a week.

I know it appears as if I am a workshop junkie this winter! I have happened upon a few artists that I have interest in their techniques. It is the immature artist who ends up copying the style and subject matter of another more well known artist. Who wants to be an art clone? As an instructor myself, I always pick up ideas about teaching, new materials, books they recommend, and colors that I haven't tried. Sometimes it turns out I learn what NOT to do! But mostly I have great respect for artists who share their knowledge with patience. It is also good to be a student again once in a while. It reminds me to slow down and remember to explain things as I go.

It isn't a Gift, if it isn't shared.

Now, go share with someone and Happy Valentine's Day to all you lovers of art!

Durinda

Love what you do

Approaching storm, south Lido Beach

North Siesta Key Beach, in progress

There's a commercial now for Blackberrys that uses three different scenarios of people overcoming obstacles, a musician, a clothing designer, and a young couple. In the end they are all triumphant and the slogan is "Love what you do." I found my ADD mind saying,"Do what you love." We all know you can't always do that. Sometimes you have to do things you don't really love or like because that's just the way it is. But you can love WHAT you do. Painting is like that. If you don't really care about what you are painting, it shows. When you paint what gives you chill bumps, other people can feel it too.

People have asked me if I find it difficult to sell a painting if I really like it. When I am working on a painting or a series of a subject, I live with that image. It is the last thing I think about at night and the first thing I think about in the morning. What does it need to communicate my idea? What is my next step? How much more work is left? Then, wah-la, it is finished. The point is made. I am onto the next image. Painting is really more about loving the process than loving the product. Once the painting is complete, it is ready for someone else to love. I have a "new baby" to care for.

I have to go now, I hear one calling...

Paint the whole world on an 8 x 10

You know who you are! You go outside with your paints and easel and BAM! Everywhere you look it is beautiful. Great light, great sky, glowing colors... it looks so good you just want to paint it all! But wait! You have to put it on an 8 x 10! What's a painter to do?

First, what attracts you most? What do you really want to paint? The sky? The trees? The grass? The water? The alligator? (no, really!) With your idea in mind, use a viewfinder, even cheaper, use your fingers and make a viewfinder, a keyhole, if you will and look JUST at the area you want to paint. Forget the lovely flowers on your left or the white bird- an egret?- that keeps strutting in front of you sticking his neck WAY out. Go away, distraction! The light will change in less than 2 hours and you have to get to work!

Make a sketch if you can, of just the large shapes. OK- you are going to put that on your canvas. Draw with charcoal or thinned paint. Go for the big blocks of local color. Here's your mantra for the day: SQUINT! Reduce the landscape into large masses of values and color. Get the essence, not the entirety ( I made that up!) Sure, it looks simple. The guy behind you is thinking, "I can do that". Yes, he can. That's why he is watching you and not painting himself. He "thinks" he can. He hasn't tried it.

Wow- that part took almost an hour. You still have to make it look like a landscape. Put in your lights. Put in your darkest darks. Hmmm, all you have to do now is tweek the midtones and then a few highlights- a tiny dab of sunlight here and there.

Time is growing short. The light has started creeping onto areas that were dark before. The shadows are much shorter. You are getting warm. A bee lands in your paint. Of course, he is in your most expensive imported white paint. You can paint around him. Naw, better flick him out. He looks like a ghost bee now on the ground. Maybe he can rub off the paint in the grass. Why did he want to dive in it in the first place??

You hear a rustling behind you. The looker is back. "Hmmm," he says,"I can see what you are painting now. Not bad." Thanks, you mumble, scraping off your palette. Note to self: in a little more than 2 hours, I painted "my world". Here's my world and welcome to it....

F-f-f-un Painting in F-F-F-Florida

Painting at the Myaaka River

Marc Hanson's Demo at the Beach

That's not snow you see there, it's sand, but we look like we could be painting at the Antarctic! Marc brought the cold weather from Minnesota with him so we could experience his same painting conditions. All week in SW Florida it has been 20 - 30 degrees colder than normal. Factor in the wind from the gulf and it feels even colder. Susie Covert called us the "Guerrilla Girls" for braving the out of doors.

Marc was here for a one week workshop in plein air painting through the M Gallery. He has a show there this month also. This was not a workshop for true beginners. We dove right in to working with value, composition, and brushstrokes. Marc kept us working with a timer. Some pressure, huh? Actually, it really kept you thinking about the painting. After all, "our job is to create a good painting" one of the many reminders Marc gave us. His other often quote was,"It is getting warmer, don't you think?" Not! At least it was a way to paint like the midwesterners without having to be there!

The teacher in me was really pleased at Marc's presentations and demeanor. He really tried to encourage us to think about what we were expressing and not just paint what was there. Jack Beal used to call it, "See, Put." You are in control, not the weather, not the paints, not the brushes, etc. My favorite painting of the week was at night- eeks- on a dock looking across the water. Talk about shivering! It was pretty amazing to watch and listen to him talk about keeping the values close. I like my painting looking across at the skyline and can't wait to try more- when it warms up, of course!

It's a wienie bit chilly out this am. After it warms up some, I will retrieve my paintings from the trunk of the car and try shooting a few to post. Marc gave us some advice on that too. Hope I can retain all this knowledge when I am out painting later this week. I am inside with my watercolors right now. Ahhh- it's warm here in the kitchen....

Now go play with some paint!
Durinda